After another false start which I won’t go into, I decided to paint this subject in a vignette style, which I quite enjoy for a change. When there is a lot of peripheral detail which you just don’t need, this is a good way of getting rid of it and just focusing on the main subject.
I also happen to think they look attractive when they are finished, and certainly they seem popular with everyone
Talking of detail, I had to simplify the facade of the cathedral quite a lot, as even with a small detail brush, there is a limit to what you can include, bearing in mind the perspective.
I have chosen to depict the scene in soft winter sunlight, which is possibly my personal favourite. This is the sort of day that gently warms the stonework, and when the sun leaves long shadows on the ground and along the sides of buildings.
For the base colour of the stonework and of the square in front of the cathedral, I have used my typical mix of raw sienna and Naples yellow. For the shadows on the buildings I used violet ultramarine, and as they became deeper like some of the recesses on the cathedral, I toned the violet down with some Transparent Brown. For really dark corners I went over this again with pure violet straight from the tube.
Blue with a dash of brown to provide the grey slate roofs, and some cadmium red pale for the awnings of the restaurant next to the cathedral, finishes what I have done so far. I will echo the red amongst the figures in the foreground, either bags or jackets, so that the eye gets led into the centre of the picture.
Putting the shadows into the figures will be next. Detailing some of the foreground figures will be a long job, and how I’m looking forward to those pigeons, not. Still every painting is a lesson, so we shall see what I get out of this one