Well, this is the finished item
From the last painting, this was really just an exercise in detailing
There were many instances where the brush went too far, when putting in the shadows, so here I have repaired with white gouache. This was mostly around the legs of the second lead horse, so his forelegs do now, I think, look as they are catching the sunlight. Also I have redefined the ears and manes of some horses, which look a bit brighter now.
I kept looking and looking at what I thought was the finished item, thinking it was very black and white. Not that I have used any black whatsoever in this painting, just my usual mix of violet and transparent brown, but the darks did seem to veer towards black which bothered me. To get some colour back into the picture, I glazed the horses with dilute Alizarin Crimson, which has helped considerably, I think. It isn’t quite so obvious from the jpg, but better in the original, where some of the horses have taken on a strawberry hue, which is more convincing than before.
I have reinforced the pink muzzles, and given the rider a pink waistcoat in stead of a black one. He was wearing a white cockade in his hat, which I have changed to a crimson one.
The last horse painting Wild Horses in the Camargue did well. Let’s hope this one does too
I have just signed off my entry papers for next February’s exhibition in the Guildford Institute which is very much themed on paintings of waterways, so I shall be busy now preparing for that. Still, it is good to have that pressure
This is the story so far
Since the drawing I have lightly put in the shadows with Ultramarine violet, and allowed to rest for a while. The background trees and fence posts I have made deliberately hazy, hopefully to give the effect of the dust storm kicked up by the horses’ hooves. The horses were travelling at a decent canter, as I remember, and the day was hot and dry, so plenty of dust for us all to enjoy.
I have started to finish detail, starting with the front row of horses. I have used the same violet mixed with Transparent Brown by Sennelier, which I usually find to be quite a good warm weather shadow colour. In some cases, I needed more than one glaze, and then when that had dried out thoroughly, I started to wonder if I had gone too far. Just as an experiment, I lifted some colour out which enabled me to define muscles on the horses. It was not unlike sculpting in a way, almost carving the horses, and because it is a slow process it gives you time to get this fine detail, correct, hopefully
The characters of the horses seem different. Second from the left looks the most spirited. His head is up, and I see he is wearing the Martingale harness to stop him throwing his head back, which would tempt him to bolt. I think that is what it is called. A long time since I rode, but I remember that danger signal when the horse would throw its head back and then charge. Great fun if you have a long run for him to do it in. Scary otherwise.
The one on the left seems to be feeling the heat. They had worked hard, that is for sure
I would like to introduce a splash of hot colour somewhere, either Cadmium Red or Orange. Maybe something attached to the bridle like a ribbon or cockade. Not sure yet so will have to think. It needs something, I feel