The Ostrich Family

Ostrich Family

One lockdown task that I have been getting to grips with, has been sorting out and rationalising my burgeoning collection of reference pictures

About seven or eight years ago, we made a trip to South Africa which was amazing. About a week was spent on safari, followed by a long weekend in Cape Town

This shot, just one of many, shows an ostrich family just ahead of our truck, and being totally disinclined to move out of the way. I think the mother bird was deliberately preventing our vehicle from running over her young. Nobody was worried of course, as this was such a fantastic photo opportunity and went on for quite a long time

A long time ago, I thought I would paint this but never did. Now I have been reminded and have made a start with the drawing. Problems would be with colours, I think. Weather was not particularly good when we were there, with dull skies and proportionately subdued colour. I will have to try and inject a little sunshine somehow, although not sure how

I have done the initial sketch and will come back later

Initial Sketch

Baguettes

Baguettes

I quite like doing these narrative paintings from time to time. This one I have done in a vignette style, again something I do for a change. In some ways this style takes less time, as I don’t have to tape up, and without big expanse of sky or sea, there are no big washes to worry about.

This was not done from one of my reference photos, and my thanks and acknowledgements go to an unknown photographer whom I could not find. This painting is not a copy of but was inspired by a photograph.

This is pure nostalgia in one sense. I don’t know of a visitor to France who didn’t enjoy that early morning trip to the boulangerie for the fresh bread.

In England we don’t have that culture. Our bread is homogenised and comes plastic wrapped, although some of our supermarkets are now baking on site, and producing something worth eating. But we still don’t go for it early morning when it is fresh and still warm

This is Paris obviously. The location was not marked, but looks like Montmartre, with those steep steps. Again a place much visited and much painted.

I changed the background considerably. I have lengthened the perspective so that the Eiffel Tower looks much further away. The buildings are deliberately out of focus, so that we concentrate on the lady in the foreground. We look at her with great compassion as she struggles homeward up that steep slope, heavily laden. I see her almost pushing that basket with her knee, to take some of that strain off her arm.

This painting is smaller than my usual, this time about 30×25 centimetres. I found it a pleasant change to do. At the moment,thanks to lockdown I am sorting and consolidating my reference photographs, so who knows may find more of this type

Istanbul : Misty Painting of Sultan Ahmed Mosque

Misty Morning in Istanbul

This was by way of an exercise. I’ve used someone else’s photograph as a basis for this painting, so unlikely to use the finished result, unless I can get permission

I wanted to try and achieve this foggy sort of image. The mosque in the background is hardly visible. Until you get to the figure in the foreground, shapes are almost unrecognisable. The clever bit would be to get the feeling that the mist is moving towards you. Whether that has been achieved I will let others judge

The painting did not photograph well. There are some brush marks showing in the foreground which you don’t get with the original

Otherwise an interesting exercise