The Royal Crescent in Bath : the Preparatory Sketch

The Royal Crescent Hotel in Bath

I went to Bath a few days ago and took some pictures as reference for sketch ideas for the commission I have been given. I have been commissioned to paint the Royal Crescent Hotel which is dead centre of the crescent of that name. I have never stayed there, although I believe it is magnificent, and certainly world famous

This is my black and white sketch in ink and wash which covers the points that the client wanted. The large window is included which is about the only thing that identifies the hotel, that and the tubs by the railings. There was no signage that I could see, presumably not allowed. I managed to get some idea of the crescent shape in the roof line

Georgian architecture is certainly magnificent, drawing on classical details. It is certainly quite testing to draw. Having said that, I try not to include too much detail, as this will be a painting, not an architect’s drawing. That is my excuse anyway

If the sketch is approved then I move on to the drawing proper ready for painting, which will keep me out of mischief for a while

It may be some time before I post again, but I haven’t gone away

One day I shall have to count and see how many categories I have covered over the years. Certainly quite a lot and all things that have interested me

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The Royal Crescent in Bath

I have been commissioned to paint the facade of the Royal Crescent Hotel in Bath. which is a beautiful building in a beautiful city

Bath was made especially fashionable in the c18. It was a spa town. The rich and the famous went there for their health, to take the waters and to see and to be seen. It had been famous for its natural spring waters since Roman times, and the Roman baths today are a favourite tourist attraction. The Roman name for Bath was Aquae Sulis, or the waters of Sul. Sul was a British god whom the Romans adopted, so presumably the spring waters were venerated long before the Romans arrived.

The Royal Crescent

This is a long shot of the famous crescent. Sadly a dull day when I was there so the light does no justice to the lovely Bath stone which is a gorgeous honey colour. I have been commissioned to paint the hotel which is in the middle of the crescent and has a larger central window than the rest of the houses in the terrace

The terrace was designed in 1774 by an architect called John Wood the Younger. It looks out over parkland to this day, and has earned the soubriquet of “rus in urbe”. The Royal Crescent is considered to be the finest example of neo-classical architecture in the country, and has been imitated in Brighton, Buxton and London

I now have the task of doing this fine building justice in paint, which should prove challenging to say the very least.

Eilean Donan Castle Painting Completed

Eilean Donan Castle Completed

The painting completed

The foxgloves were really all that was left to do. I took great care with the colour match, yet still they turned out a tad too dark. I did actually remove some pigment which put in some highlight, and I thought they might dry lighter than that, but they didn’t. Perhaps they are a more exotic species.

Having said that, I quite like the colour even if not authentic. They give a welcome relief to all that green

I’m sitting here typing and my spotlight is on the painting, and the flowers look quite good. I shall have to recommend front lighting to anyone who might be interested

Not sorry to put this one to bed and perhaps move onto something else

Eilean Donan castle Painting part Finished

The castle Part Finished

This is the painting so far

Still quite a lot of green even though I have left some out. I am hoping that the green effect will be mediated by the two foxgloves in the foreground. I have just removed the masking, and I think the shapes will work well enough. I only have to get the colour right. Permanent rose with Crimson I am told by my reference books, but no clue how much of each so I will have to do some trials first. Also some more green for the stalks but I have a bright green in mind for them

I have put the little figures in on the bridge, and tiny as they are, seem to add some life to the composition. Also they gave me an opportunity to add a spot of hot colour into the painting

The base colour for the painting was from a mix of raw sienna and Naples yellow. This gave a bright light source in the background which lit up one side of the castle conveniently. The bridge was in deep shadow so that seemed to work. I had to tone down some of the reflections in the water, otherwise the painting turned very dark

All now rests on two simple foxgloves which hopefully will relieve the green. They will make or break the composition, so I will need to be careful

The Eilean Donan Castle near Kyle of Lochalsh in Scotland

Eilean Donan Castle, Kyle of Lochalsh

I thought I would have a crack at painting this scene by way of a change. I have never tried painting a Scottish view before, usually too busy with the Mediterranean. Scotland has a lot to offer, with any amount of castles ea ch set amongst stunning scenery. Every family or clan had its stronghold, which they needed in lawless times. many are ruined as was this one, but thankfully restored in the 19c, when the bridge was added too.

Quite a gem. We went here when cruising around northern Scotland and its islands early in July.

I have got as far as doing a drawing, first in pencil and then in ink, which I have transferred onto watercolour paper

I have drawn the pink foxgloves separately, and then traced my drawing. I think I will include them right in the front of the painting. What I tend to do, is slide the tracing paper over the picture until I find a spot where they look right

I have just had a commission to paint the entrance to the Royal Crescent Hotel in Bath, which will be interesting. Pure architecture which I quite enjoy

Bosham Sunset Finished

The Finished Painting
About to come off the board

The Bosham painting is finished at last. At the end of the day, there wasn’t too much that I could add to the painting on the last post

I completed some details like the spinnaker on the nearest boat. This is now plumper and more realistic. I have added more suggestions of reflections from this boat, which is already in shadow, but some more red around the stern gives a highlight

I have my eye on the next project, which will be from my recent Scotland trip. I haven’t done anything Scottish as far as I can remember, usually too busy with the Mediterranean, so perhaps it’s time to correct that

The subject will be the Eilean Donan Castle which is near the Kyle of Lochalsh, the mainland side of the Skye Bridge. It is a beautiful spot. I have started already doing some sketches just to work out the composition, and when I have something to show, then I will publish

The other good thing was that I received a commission this week to paint a hotel in Bath, a beautiful city, mostly Regency in style and built in a lovely honey-coloured stone. Commissions have been quiet this year and this is the first, so very welcome. It will be one of those paintings that will be enjoyable to do, and again more of that later.