Two Paintings worked on simultaneously

Camargue Wild Horses

I was kindly sent images of Camargue horses, which frankly have spoiled me for choice. Many were of the herd charging through the shallow water kicking up spray, and these make for very dramatic paintings of the type I love to do, and which I will do. For the moment I do have one such painting in my collection ready for exhibiting and that is currently on my Artfinder site and also on my own web site.

As I went through the images again, I was drawn to the one shown. Completely different to the others, it is almost pastoral in quality, with that feeling of peace that one gets after a long gallop, when everybody gets their breath back before moving on. I think I will try using this one for inspiration. Drawing will be a challenge as the shapes are so dark but nonetheless will be fun to try.

We watched them when we were there. I took some pictures but the quality just wasn’t there, so I have to look at other images which made a better job of capturing these lovely horses

I have also been asked to provide another Bosham picture similar to ones that I have sold so often. There is only one shot that people want, so I have to scratch my head to think of ways to make each one individual so in this case, I will be changing background colours to something I haven’t tried before

Just as a by the way, I am pleased and relieved to be able to report that my Artfinder sale reached its American buyer safely and promptly. If I have already mentioned this, my apologies and please ignore. I had a very nice text back from a happy buyer, telling me how pleased she was with the painting, so pleased with that

Back to the easel!

Advertisements

Galloping Horses, the finished painting

Galloping Horses

The finished painting.

It took great restraint not to add some more colour to the horse on the left. I still think I made the right decision. It looks as though it is appearing out of the mist and the spray kicked up by the animal in front, which is the effect that I wanted.

As far as what I did since the last post, well, apart from stopping myself touching the horse on the left, not that much really. I have removed the spattered masking fluid to give, hopefully , that effect of spray from the hooves. I added a little dark spatter as well, but really didn’t need much

I added more detailing to the lead horse, so he is now well-defined and, hopefully, coming out of the picture, and added some more colour to the water and reflections at the bottom of the page

And that is really it. If I keep looking at it, I shall be tempted to fiddle, and that as we all know is fatal

Galloping Horses Partway

Galloping Horses Partway

I have moved on a bit from last time

So far I am using two colours only, Cobalt Blue and Vermillion Hue which I spoke about before, which does make a very pleasant grey with a sort of glow about it. I don’t think that I have worked with two colours before, so this will be interesting

I have spattered heavily with masking fluid around the hooves of the lead horse. This is showing as blue as I am using the Frisk product, so this will be white when I remove and hopefully the removal won’t give me a problem. I will probably spatter with some dark paint as well.

I have started to detail the lead horse, if only to judge the tones between him and the others further back. The pink background seems to work well. I will just go on defining the shadows on the horses and see how we end up

Preliminary Sketches of Galloping Horses

Galloping Horse Drawing

I’ve transferred the drawings to watercolour paper now, and kept them as line drawings only, which is why they are faint. I have assembled the individual drawings that I had and strengthened, I hope , the composition into a more horizontal arrangement.

Since posting this drawing, I have liberally spattered with masking fluid, around the lower regions of the horses to look like, again hopefully, the spray that the lead horse was throwing up

I have put on a base coat of colour. A band of pthalo blue modified with cobalt for a sky colour, followed by a pink horizon, followed by a ground colour the same as the sky. For the pink, I have used something I bought long ago from SAA called Vermillion Hue, a colour outside of my experience. It was described as very good as a warm grey when mixed with Cobalt, and a very good shadow colour on snow. Likewise, without the Cobalt  it can provide a warm glow. No snow here I know,  but plenty of water and grey horses. The horses in the photograph were just catching the light on one side from a very watery sun

So this is an experiment and could fail, but I am hoping to catch this pink light on the horses, if I can

That is as far as I have got

Wild Horse Painting

Wild Horses

Now that my exhibition entry is complete, I can start to look at painting something for pure pleasure, whilst at the same time, having something very different in my portfolio, knowing that local exhibitions will be cropping up during the summer.

Horses are something of a favourite. I rode for many years. Nothing very serious, just hacking out but still exhilarating. Christmas rides over the Downs were the best, with a couple of long gallops thrown in. Some parts of the ride were on sandstone, so sandy tracks to gallop along which just went on and on.

My son and I used to go to the north-east several years running, and go post-trail riding spread over the week. Quite hairy galloping across the moors, but the horses were like goats, so you just let them take you

So after a while, you form an affection for horses, whether they are ponies or drays. In fact I loved watching the big dray horses delivering beer in certain parts of London, especially Wandsworth, home of Youngs Brewery which had a team of drays up to the time they closed down not that long ago. Now I just enjoy looking at them and taking photographs, hopefully to get some shots good enough to paint.

I am getting one or two different sketches together, hopefully to create something dramatic, perhaps even wild-looking. I haven’t finished my deliberations yet, but for the moment will just show the sketches which I’ve prepared so far, which might change as I go along

Galloping Horse

Horsemanship Painting Finished

Horsemanship in Hungary

Well, this is the finished item

From the last painting, this was really just an exercise in detailing

There were many instances where the brush went too far, when putting in the shadows, so here I have repaired with white gouache. This was mostly around the legs of the second lead horse, so his forelegs do now, I think, look as they are catching the sunlight. Also I have redefined the ears and manes of some horses, which look a bit brighter now.

I kept looking and looking at what I thought was the finished item, thinking it was very black and white. Not that I have used any black whatsoever in this painting, just my usual mix of violet and transparent brown, but the darks did seem to veer towards black which bothered me. To get some colour back into the picture, I glazed the horses with dilute Alizarin Crimson, which has helped considerably, I think. It isn’t quite so obvious from the jpg, but better in the original, where some of the horses have taken on a strawberry hue, which is more convincing than before.

I have reinforced the pink muzzles, and given the rider a pink waistcoat in stead of a black one. He was wearing a white cockade in his hat, which I have changed to a crimson one.

The last horse painting Wild Horses in the Camargue did well. Let’s hope this one does too

I have just signed off my entry papers for next February’s exhibition in the Guildford Institute which is very much themed on paintings of waterways, so I shall be busy now preparing for that. Still, it is good to have that pressure

Horsemanship Painting Partway

Horsemanship painting partway

This is the story so far

Since the drawing I have lightly put in the shadows with Ultramarine violet, and allowed to rest for a while. The background trees and fence posts I have made deliberately hazy, hopefully to give the effect of the dust storm kicked up by the horses’ hooves. The horses were travelling at a decent canter, as I remember, and the day was hot and dry, so plenty of dust for us all to enjoy.

I have started to finish detail, starting with the front row of horses. I have used the same violet mixed with Transparent Brown by Sennelier, which I usually find to be quite a good warm weather shadow colour. In some cases, I needed more than one glaze, and then when that had dried out thoroughly, I started to wonder if I had gone too far. Just as an experiment, I lifted some colour out which enabled me to define muscles on the horses. It was not unlike sculpting in a way, almost carving the horses, and because it is a slow process it gives you time to get this fine detail, correct, hopefully

The characters of the horses seem different. Second from the left looks the most spirited. His head is up, and I see he is wearing the Martingale harness to stop him throwing his head back, which would tempt him to bolt. I think that is what it is called. A long time since I rode, but I remember that danger signal when the horse would throw its head back and then charge. Great fun if you have a long run for him to do it in. Scary otherwise.

The one on the left seems to be feeling the heat. They had worked hard, that is for sure

I would like to introduce a splash of hot colour somewhere, either Cadmium Red or Orange. Maybe something attached to the bridle like a ribbon or cockade. Not sure yet so will have to think. It needs something, I feel

 

Little Frog Painting Part Finished

Little Frog Part Finished

Well, we are about half way with the study of the little frog, photographed on his leaf in the wetlands of the Danube Delta. We saw some really impressive examples of wildlife that day, but the frog and his colony were the only ones interested in keeping still for the camera!

I started with my foundation mix of raw sienna and Naples yellow, across the whole sheet of paper. I let that go hard overnight, and worked in a pale green around the frog, in a patchy manner to simulate hopefully the puddles on the leaf surface. The green was mixed from Antwerp blue and Cadmium Yellow.

This becomes a glazing exercise with each coat going rock hard overnight. I don’t use a hair dryer myself unless I’m in a hurry. I prefer the paint to dry naturally so that the paper goes back to its original shape

I used the same green over the frog, twice. After that cadmium yellow followed by burnt sienna, and by that time I am trying to get some texture and shadow into the frog’s surface, I was hoping to see some granulation going on, but very little happening as yet

I shall continue building up the shadow with some dark brown, and that will contribute to the final result

The exhibition at the Royal Surrey Hospital is finished, and the results are in. I have sold five paintings which is a result. The ones in question are Bosham harbour and Church, Wild Horses of the Camargue, the Venice painting of San Giorgio Maggiore with Gondola, Fishing Boats of Beer and RHS Wisley Gardens

I think without checking that these are in my gallery

Pleased with that after such a poor start to the year

The Little Green Frog, starting the drawing

Little Frog

Something completely different to architecture this time, so really not sure how it will end up

You may remember that I posted the photograph of the frog a few weeks back, just after getting back from our trip down the Danube. We had been out in the wetlands of the Danube Delta to look at the fabulous wildlife there. Most of it was exotic, but moving too fast for photography, well at least my standard of photography anyway

The pelican were fascinating. We don’t have them in the UK, so watching them feed was very intriguing They seem to cooperate with the cormorants, who dive deep, which drives the fish to the surface, whereupon the pelican scoop them up in their elastic shopping bag of a beak

I just could not get a picture of them doing that which is a shame , because that would have made a really good subject for a painting. All I had time to photograph was my friend the frog. Actually there were colonies of them, basking in the intense heat and humidity, each one on a lily leaf. They did not seem in the least perturbed by the small boat gliding through the leaves, so very kindly posed for a picture

It will be interesting working out which colours to use on this painting. A background mix of raw sienna and Naples yellow as an undercoat, I think, and maybe a very pale green glaze , after this has gone hard. There will be some masking out of small details like feet, as the green round the frog will have to be darkened. The other colours will possibly be burnt sienna and burnt umber, which I will decide when I have seen the initial glazes.

The exhibition is still on at the Royal Surrey Hospital, with just another week to run. I have sold two to date, namely the painting of RHS Wisley Gardens and Bosham Harbour and Church. The latter is actually going home to Bosham as it is a wedding present for someone getting married in the church in the picture, which is rather nice. Also someone has promised to send their cheque in for one of the Venice paintings but that is only a pledge at the moment.

Would be nice to have one more. but two is respectable out of twelve paintings entered

From Budapest to the Danube Delta

DSCF3796

The small green frog basking on a lily leaf somewhere in the wetlands of the Danube delta, posed quite happily as our small boat brushed by. All through this trip I have had an eye out for painting ideas, and I thought he would work well, so when I have recovered from the journey and settled back in, I might try painting him. There won’t be time for the exhibition starting on the 12th, but there is another local exhibition on the 29th which I might like to have something for

There were other things which were interesting, beautiful Hungarian horses which are half Arab, which we watched being put through their paces by the cowboys. This was near Mohacs out on the plains. The cattle were fantastic too, huge with long horns. One bare back rider controlled a team of nine horses standing on the rump of the last two, which was amazing, more like a circus act. Because of the distance from the rider to the front row of horses, they have to respond to the voice which means learning the language of the horse, a lifetimes work, I would imagine

Mohacs Team of 9 (3)

Amazing sight, and might make a dramatic painting. I also took some shots of the ubiquitous stork nesting on the tops of telegraph poles, which are always amusing. We don’t have storks wild in the UK, well certainly not nesting like that, so we find them interesting

Just going back to the delta for a moment, we went there to see pelicans, which we certainly did, but not near enough to photograph. Plenty in the air and also landing but none would pose. Cormorants, swan and egret too. We were taken to the feeding grounds of these birds, and were told about the ingenious cooperation between the cormorant and the pelican. The cormorant dives for fish as you know, which causes the fish to surface where they are scooped up by the pelican in their elastic shopping bag beaks

The architecture and landscape would provide some good subjects but to be thought about. Three capitals, Budapest, Belgrade and Bucharest plus various smaller older towns, as well as the famous Iron Gorge with its stupendous scenery, all offer possibilities

To be considered