Bosham Harbour at Sunset: part finished

Bosham Sunset not quite finished

This is the painting so far, which wants tidying up, and at the moment I am just looking at it, and wondering the best way to go

I’m thinking that the nearest boat needs some more detail, but it is also supposed to be in deep shadow, so detail obscured which contradicts

I am going to work on the spinnaker, which needs beefing up. I am not a sailor, but even to me, the spinnaker is rather puny. Quite a lot of sail gets wrapped around this so it needs to look a good deal fatter than I have shown it

In the shadow of the nearest boat, I would like to see more red, which won’t necessarily be correct, but I would like relief from the grey. I have tried to convey the sun catching the stern

Other than that I shall just keep looking, whilst all the time trying not to fiddle, which is a cardinal sin in watercolour.

I am also itching to start on something fresh, a castle in a loch, which I saw in Scotland a couple of weeks ago, which is very dramatic, so I may wrap Bosham up and move on soon

Preparatory Drawing for Bosham Painting

Bosham Harbour in Evening Light

I have made a start. Bosham, always a favourite subject for exhibitions, and I don’t have one ready for my next exhibition which is in October, having sold Bosham Creek at the Guildford Institute.

The drawing is based on an old postcard, which gave me part of the composition, and helped with the relationship of the boat in the foreground, with the shoreline. The other boats I have added from my own library of sketches.

I have added some dark ink lines on the shadow sides of the two boats, and have masked out a tiny boat in the background.

I started to lay in a wash as a base colour. I used Cobalt Blue together with Vermillion. As they mixed on the paper, they have made grey as a basis for shadows to come. Still plenty of red in the sky and sea, although I can play with that when it has dried right out.

I have dabbed out a mark for the evening sun and its reflections across the water, which at the moment is not easy to see.

I am hoping this wash will be enough for background. I don’t want the sky competing with the foreground, but until the painting has dried right out, it will be impossible to say

The Italian Chapel on Orkney

I have been away travelling and sadly haven’t touched any painting or drawing. I would like to mention this wonderful place we visited on our trip round the Northern Isles, which is very much connected to real art.

Interior of Italian Chapel

I had to use a postcard for this shot, as when we were there the building was crowded, so a clear shot of the altar was impossible

The chapel was created by Italian POWS in 1943, who were employed building concrete causeways between the islands, which also acted as sea defences against U-boat infiltration. The Royal navy had already lost HMS Royal Oak with 800 lives to an enemy torpedo whilst apparently safe in Scapa Flow, so this work was of great importance.

The Italians requested a chapel, and two Nissen huts were made available, fixed end to end. A man called Domenico Chiocchetti had already been recognised as an artist, and he led the team of interior decorators. He was assisted by Giuseppi Palumbi , a blacksmith and Domenico Buttapasta, a worker in cement

With no materials other than what they could find, they transformed the interior into this beautiful work of art. They were given access to the wrecks in Scapa Flow, some of which were exposed at low tide, and from these anything useful like brass or other exotic materials were obtained.

In 1944, their work done, the POWS were moved south, not before receoiving an assurance from the authorities in Orkney, that the chapel would be preserved. Domenico Chiocchetti’s home town was Moena, and there are strong links between Orkney and Moena. with visits both ways. In 2014, three stations of the cross were stolen and three replacements were carved in Moena and brought over.

Domenico Chiocchetti came back in 1994, and was involved in some restoration work himself

The chapel is one of Orkney’s most important tourist spots and welcomes 100,000 visitors each year

This is my photograph on a very grey day