Morning in Bosham Finished Painting

Morning in Bosham

The finished picture entitled Morning in Bosham

This was the first of the two paintings which I was hoping to plan together. But it was not to be. As the poet said, or something like, the best laid plans of mice and men go oft awry.

They certainly do. I have done a few sketches of the horse picture, but last Thursday the phone rang and a regular client phoned with a commission for an extremely ornate fountain called the Fountain of Love which is in the grounds of a mansion called Cliveden House in Buckinghamshire

I went to look at it, at the week end and took some reference shots and append one for your interestDSCF4449

I have just had to arrange a professional copy so that all the detailing is picked out clearly. This will be a test of drawing skill and no mistake. Too late however, as I have said yes.

Cliveden House is now an hotel. It is c18 I believe and is associated over the years with a succession of powerful women. The latest was Nancy Astor, the American heiress who became a Westminster MP, the first woman MP I think, and certainly a forceful lady.

The house is remembered for being the scene of the scandal involving Christine Keeler a model, and John Profumo the then Minister of Defence during the 1960s. She was also having an affair with a Russian diplomat, so the whole thing was considered a threat to national security. Profumo lied to Parliament and the whole thing nearly brought down the MacMillan government

The same day i received another commission to paint a boat in St Katherine’s Dock which might be postponed and give me a breather. Today I received a request to do yet another view of beloved Bosham Harbour and Church

That will teach me to boast about doing two paintings simultaneously.  The gods have a habit of looking down and teaching you a lesson if you appear over-confident. They have, and it serves me right.

Advertisements

Bosham Creek, the finished painting

Bosham Creek

This is the finished painting, which I happen to like, although I will admit to one or two scary moments

I have managed to keep to a rather limited palette. Cadmium Yellow which I mentioned before and Ultramarine Violet, together with Transparent Brown which I softened with Violet. This is still my favourite shadow colour. I used Vermilion for some distant red clouds behind the trees, and also for the red paint along the hull of the hulk on the beach.

After getting the sky about right or so I thought, as the dark clouds coming in from the sea might have been darker, I put in the distant buildings along the shore line of Bosham village. The steeple of the Saxon church, so well-known as to need little introduction, is probably the only building that needs to be recognisable, although I have done my best with the others, plunged in shadow as they are.

To the right are two beached boats, one clinker built and the other which looks as though made of fibre-glass, so not the easiest to convey in watercolour. The dunes with some coarse grass rise in front of them, and make a convenient break

The beached hulk is one of those things that are fun to paint. So many details and textures with rusting metal and flaking paintwork on the timber. I mentioned that someone had daubed white paint on the prow, which I could have left off but decided to include. I daubed masking fluid on and then overpainted several times with the dark brown mix. When the masking is removed, then that should look like white paint over rough brown planking. That was the plan. I hope it has worked.

The real test of course is getting the light right and the highlights in the right place. I hope I have done that. The camera again has bleached out the colours, try as I might, so in reality the shadows are much deeper, and appear more convincing. Oh well, in the scheme of things, not the worst problem one could have.

Going back to the Bosham Painting

Bosham Underpainting

We are going back now to before the last two commissions, which I was pleased to take on, challenging though the last one was. I still await the final judgement from the client on that one, as she comes back from holiday on the 16th only, so fingers crossed under the table on that one.

I had started this painting of Bosham Creek, or rather drawing, with just the main elements in place.

So far I have added two dilute coats of watercolour across the page. Violet running into yellow, mostly with a watery coat of vermilion over the whole thing when bone dry. I dashed some pure yellow pigment into the area where I think the sun is setting. In the photograph this yellow shrieks at you. In reality it doesn’t. I am often intrigued how the camera sometimes disagrees with the human eye. Possibly one of those paintings which won’t sell on the internet, alongside a few others.

The hulk on the beach, I am hoping will provide most of the interest. The detailing on this sort of subject is usually a lot of fun, and tends to draw the eye. I noticed in the photographic reference, that someone has daubed white paint along the prow. I have used masking fluid here in a dry-brush fashion. Going over this later with dark brown pigment, and then removing the masking, should leave the illusion of white painted roughly over dark brown. I hope that makes sense. We will see later if it works or not. I have done it successfully in the past, which is of course no guarantee of success in the future

Since taking this picture I have started to darken the clouds and will gradually go on, wet over dry until I like what I see, hopefully. That will be the judgement, not getting them too dark or yet too wishy-washy. We shall see, and much still to do.

Sketchwork on Bosham Harbour

DSCF4101

I have been away for the last five days or so, in Spain with perfect temperatures of around 20 with gentle sunshine plus sea air. I’m back now to something like 12 and wet so feeling cold. Yesterday I rescued my garden and allotment. Today I am catching up on other things like my blog

I started last time with an indistinct photograph of Bosham Harbour, which I have done so many times, but this time in evening colours.  Before I went away I prepared some sketches and finally decided on the one which I have illustrated.

I have kept the distinctive distant shore line without much detail. That broach spire identifies the village of Bosham unmistakably.  From my archives I have included a different boat, which will add something to the foreground.  There were beached boats in the photograph which in my opinion did little, although I did include a couple of these to close off the side of the painting to he right.

I think I will use a mixture of violet, yellow and brown for the painting. I am more interested in how the colours work, than in the actual image, so the result may look like an impression of Bosham rather than a record of the harbour itself.

Before leaving this subject, I will mention that I am setting up an exhibition in Leatherhead, in the theatre on Monday morning.  Leatherhead is a town about twenty miles distant, so new territory, which is always exciting

Coming back to the Bosham painting, I will finish with another image, which is the basic line drawing transferred to watercolour paper. We are now ready to paint.

DSCF4100

A different aspect of Bosham Harbour

DSCF3969

i think I may have mentioned ad nauseam that Bosham Harbour with its ancient church is a favourite subject for painting, and is widely known

If I am preparing for an exhibition, I usually like to have at least one view of this beautiful little place. The problem is that everyone wants the same shot, across the harbour with the church against the skyline, so painters, like me, are continually looking for a way to paint this view, and yet make it look different every time.

I came across the attached photograph a few months ago, which interested me. As you can see, it is a gentle evening shot, with some bright sky and some very deep silhouettes. The details are blurred, which is not something I usually do, but found myself intrigued nonetheless. The effect could be impressionistic, which again is not something I usually do. The other thing I liked, is that, when translating this into a painting, one could use a very limited pallette, which I find improves the effect very often. In this case, we are looking at yellow and violet basically, which generally work together very well.

I haven’t used these two colours for a while, so the idea is attractive

I am not sure about how I feel about the beached boats in the immediate foreground. They are certainly an aid to perspective, which I can appreciate, and yet in your face just a bit. I think I will draw some of these separately on tracing paper and chase them round the composition to see what I like best. I have been through my archives of boats too, and have sketched one or two of those, again to see what works.

Despite what I said about getting away from detail for a change, I don’t want meaningless shapes either, and unlike photographers, artists can choose what goes into a composition, which gives us an advantage, so I might be able to get away from that rather shapeless foreground.

I think there will be quite a lot of work with little bits of tracing paper, before we hit on the right composition, so we will see what happens. Yet another journey into the unknown.

Finished Bosham Panorama Painting

Finished Bosham Panorama

and there it is waiting to go into its long frame

That will then complete a collection of twelve paintings for the coming exhibition at the Guildford Institute from 19th of this month

Since the last post, really the work was purely detailing, using dark brown, white and cadmium red. I have drawn in some buoys and odd details like that

I bought a new detail brush the other day, designed by Matthew Palmer. It has a large bole which holds a good supply of water, but the tip comes to a very fine point, which produces a line rather like you’d expect from a pen. I think it was designed for painting very thin branches and twigs. It also works well for fine rope work, and window frames

Huge sigh of relief now that the exhibition collection is finished, all but framing the last one

I can now look at catching up with a few paintings for pleasure. I love doing horses and have made some initial sketches, from which I think I can put an interesting composition together. I have gone back to drawing by eye instead of using a grid, which not only saves time, but also is comforting to know I can still do it ( or think I can)

I will publish the horse drawings at another time

Bosham Panorama for the Long Frame

Bosham Panorama Starting to emerge

Emerging from the sea mist almost

This is the start of the panoramic painting for the long frame which I mentioned recently, which I am hopeful for, but we shall see

For sky and sea I used a mix of phthalo blue and cobalt. For the sunset sky and reflection in the water, I have used a mix of Cadmium Orange and Permanent Rose. I was not pleased with the initial result, as the sky came up very orange indeed. I applied coat after coat of Permanent Rose, wet on dry, which when dry, appeared to have made very little impact. Eventually the sunset turned pinky red, and I quite liked the effect of the pink over the blue. Where the blue had gone on sparsely, the pink soaked in, and started to look like pink clouds on the blue sky. I am not sure whether this shows in the photograph.

In order to get the effect of the low sun on the rooftops, I will need to glaze the buildings with something like Light Red and if that goes too brown, then a thin wash of Cadmium Red. Sparingly, of course, as that is powerful stuff.

There is masking fluid to come off, where white buildings have caught the strong light. I should have mirrored that in the sea, but forgot, but I think I can rescue that with White Gouache.

Dark shadows to go in with dark Brown which will accentuate the light, I hope. Also some small boats for which I will use the same blue mix, and white masts, should add to the effect

I am hoping so, as exhibition time draws near

Bosham Harbour and Church: the finished painting

bosham-harbour-finished-painting

The finished painting finally!

There wasn’t too much to do since the last post. The boats had to be detailed and their reflections put in.

The boat in the foreground had a dark blue spinnaker tightly wrapped, which is probably the wrong word. I am not a sailor, and although I enjoy painting them, I am not up in boating terminology. The next nearest boat, had a spinnaker in orange and red which was highly convenient for the colour composition. I used a red buoy, and the reefed sail was also red. Again apologies to sailors if I have that term wrong. The furthest boat almost did itself really

So there it is. After the commissioned painting of Bosham worked out so well, I really wanted one myself for the March exhibition. This one, I think, will frame up well. Incidentally this is one of those occasions when the jpeg does not do justice to the original, which is softer somehow.

I have been looking at my list for the exhibition, for which I want fourteen framed pictures in all. I need to repaint the Notre Dame with Pigeons picture in a different mood, probably in bright sunshine and also missing out that dreadful marquee, which will make it look more attractive to people

One of my existing local pictures needs to be reframed, and there is also a painting I want to do of Sicily which I hope will turn out well. With what I have already, I could put fourteen pictures into the field, without doing more

Not that I will stop, of course, because I never do, and anyway there are other exhibitions coming up throughout the year, so still much to do. Inevitably if I have something better, I will change the entries for the March exhibition too

Hopefully in the coming weeks I will be talking about more work as I complete it

Bosham Harbour: continue with the painting

bosham-harbour-continued

It seems a long time ago that I touched this painting, and in fact it is the best part of a month, which for me, in between stages this is too long. I have totally lost the thread of what I had planned for this picture, so I shall have to rethink it

We went to Germany for the markets, where I became ill with some virulent chest infection, and then celebrated a family Christmas over three days. Now different branches of the family have flown off to Spain and to Thailand, and so peace descends.After a morning sorting a few things out, I started to look at my easel again, and with confidence surprisingly ebbed away, I picked up my brushes and started to get my mind round the picture and how to tackle it.

If you remember the first post that I did on this painting, you will see that I have added the reflections of the quayside houses and the Saxon church. It may not look much for an afternoon’s work, but that is what it took me

I find with reflections that I do an awful lot of zooming in and out again. That is, I paint a bit and then go to the door and look back. I don’t do a mirror-image reflection, I never do. Some people do and do it well. I like a reflection to look as though it is on water, and not on glass. In other words, it has to wobble a bit, and the colours don’t reach the same intensity as the buildings themselves. But that is me!

I altered some of the houses and gave them a white facade. They were a bit too gloomy, and no distinction between any of them. There were also some flagpoles and masts of boats outside the yacht club to be added.

I am generally happy with the reflections. I think they look like reflections, although one or two need tidying up

The other thing I did was to put shadows into the boats. That has to harden and then I can start on detailing them which will be a long job. I still have to decide on colours. Red for one of the reefed sails and also the spinaker, as that will make a nice reflection. The others to be decided

Decisions, decisions!

Monschau in the Eifel Mountains, Germany

monschau-in-the-eifel-mountains

The very pretty and old village of Monschau on the river Rur ( without an h). Very cold in the valley but nice where the sun caught. We were expecting to find a Christmas market open that day, but it wasn’t. The village itself was very attractive though, high in the Eifel Mountains, an area of Germany I hadn’t visited before. Very sparkly at this time of year, with the sun on the frost.In fairness I should say that some shops were open, and they were of a high standard, so our visit there was generally enjoyable

I took a lot of reference pictures whilst I was there. The lights and darks were good and the tumbledown buildings would be fun to draw. I haven’t painted German villages before and maybe I will. I tend to paint places that people buy at exhibition, which perhaps is wrong as nothing worse than a bored artist.

In all, our trip to the Christmas markets was not successful. Monschau was lovely, but the Christmas markets in Liege, Belgium the following day were poor, and even in Bruges on the way home, a city so beautiful normally, the markets were disappointing.

But what really marred the trip, apart from the disgusting food in our hotel, was the fact that we both became ill partway through the holiday, and towards the end all we wanted was home. I have no doubt that this jaundiced our view of the trip

I found, when I went to my own doctor,( and at my wife’s insistence), that I had developed bronchitis, so no wonder I had difficulty breathing! Thank heavens for penicillin, and now partway through my course, I am feeling much better, and interested enough to write my blog, which I have neglected.

I have done no more on Bosham Harbour sadly, not having had the will to take up a brush, but now I am looking forward to getting started again

One little ray of sunshine to brighten my gloom this week, was to hear that my charity card, Christmas Shopping in Guildford High Street, which is described somewhere in the archive of this blog, actually sold out. That was 250 packs of ten, so very pleased at that. That in addition to the original painting which I donated as well, which they sold for £150, so delighted about that too

I hope to get back to normal soon