Langstone Painting Emerging

The painting emerging

This is the moment when the painting starts to emerge from the mist, quite literally for a painting by the sea.

My big problem was the hard line between blue and pink at the bottom of the painting. It was impossible to eradicate. I tried a small section and it was worse if anything

One of the marks fortuitously formed the shape of a stern of a small boat. That was something of a gift and I painted in the bottom right hand boat with canvas cover. Ok, what next? I think I have already said that I painted in the two dinghies in tow from the sailing boat, and the last one does help to cover that hard line.

That still leaves the left hand side of the picture. I scoured my files for images, and found one that would work. The boat is not afloat, rather propped up in the shallows, so the bottom length of painting will now be shallow water, about ankle deep. That will be amusing, trying to give that illusion. The propped up boat will help and I have made a start. A ladder is alongside and so are props. You will be able to see the keel standing out of the water. After that, I haven’t worked out

I have started to deepen the colours of the mill buildings. They look quite brightly lit now by a low sun. The photograph doesn’t do it justice, but then does it ever.

Still plenty to do

Partway through the Langstone Painting

This painting has given me some problems, even though it should have been straightforward. Never be complacent, and think you will dash something off. I needed a Langstone picture for a forthcoming exhibition, and thought I would fall back on an old favourite, namely Langstone Mill. This lovely spot is on the edge of Chichester Harbour and just before you cross the road bridge to Hayling Island. You may know it. If not, enough to know that it was once a bustling medieval port which died in the twentieth century, and now is a quiet creek. The old mill, wind and tide, is a very paintable subject.

I thought I would give it a sunset look. Again straightforward. For some reason, beyond my comprehension, the lower half did not work. The transition line from red to blue which should have blended seamlessly, just did not do so. In fact I had one of the roughest edges that I can remember. Not just hard but erratic looking like nothing I could understand

I have tried washing in carefully with clean water, but that was not a success and left an even more unseemly mess. Watercolour, as all will know, is difficult. Mistakes are hard to correct. I should know that. I have painted in nothing else for about twenty five years

The last resort is always to paint something over the blemish, if you can. I painted an extra boat in the bottom right to cover the very worst mark, and was lucky enough to use the lines of the blemish as part of the composition. So far so good, but there is a long way to go. In the centre I added a dinghy to the same purpose, and then another to make a small convoy to the sailing boat. I have seen two dinghies in tow to a larger boat before , so not too fanciful

And now what am I going to do. Well, when I know I will let you know. There will either be a finished painting or nothing at all. We shall see after I have done a lot of thinking and a lot of playing around

Starting a Painting of Langstone Mill

Langstone Mill

Still proceeding as though real exhibitions are going to take place, I am looking for one more painting for the Denbies Exhibition in December. Langstone Mill is or was a favourite, although I haven’t painted it for a while now, so thought I would try it albeit in different colours and moods

So far I have got as far as a basic drawing on tracing paper which I will transfer to watercolour paper, and then see where I go with it

I think I might try a deep sunset which has worked with paintings of Bosham. Langstone is quite well known. It used to be a port from Medieval times until the early part of the 20th century, and was very important in its day. It was known as a haunt for smuggling as so many of those little creeks on the Hampshire coast were. I always thought that they would bring ashore brandy and tobacco, and possibly they did, but the big earner was tea. Tea was wrapped in a waterproof cover and stowed in barrels, which were roped together to make a raft. Small boats from Langstone went out and met foreign luggers mid Channel, and towed these rafts back to port. Plenty of local people happy to make storage available in return for a cut. There is even one instance of the local rector storing contraband in the church cellars

So quite a romantic place, which is quiet now. The old mill is still very paintable. The tower is all that’s left of the old windmill. The sails were removed in the late 19th century, and the place left to rot. The building far left was the old tide mill, and I remember as a boy watching the water from the mill pond thunder through. Rescued in the 1930s by local artist Flora Twort, the old mill was fully restored for residential use, and has been inhabited ever since. The architect was a Freud, son of Sigmund Freud. I have sadly never been invited inside but from what I can judge, the restoration has been very successful.

The mill has been associated with artists and writers ever since. Let’s hope they approve

Boats on the Beach at Beer in Devon

Boats on the Beach at Beer

I went to Beer some years ago when staying with friends. The fishermen there pull their boats up onto the beach, and arrange them in a row. I’m not sure whether deliberate or coincidental, but the result is very colourful, and for years photographers and painters alike come here to record them

I have painted them before but from a different angle, and I don’t have a photographic reference for this painting, so I have had to imagine the perspective. I have always found it difficult to get the colour right for a brightly coloured painted finish cast in shadow. I generally put shadow in first, so a coat of blue or violet left to dry, and then the local colour glazed over, usually works. It doesn’t work with these strong colours, so I have had to experiment with different blues and reds to get the result. It took a long time and even now I am looking back and wondering

The result is sunny and bright, however, in these worrying times. I have simplified a lot of the detail, so would class this painting as more impressionistic than realistic. I find it cheerful to look at, so hope others do too

Bosham Harbour in Sussex: the finished painting

Bosham Harbour in Sussex

Before I put the background wash in, I scrubbed literally a good deal of the yellow away. On the original painting the yellow blends nicely as a sunset colour. In this photograph it stands out again, and I fail to see why. I can do no more with it, so must show it, warts and all.

The yellow scrubbed back down almost to white was probably the colour I was looking for originally. I did a faint yellow wash on the front of the white buildings, and that worked well too, but lost on the photograph. Oh well!

The composition extends further to the left including more boats and more sunset. I could put this in a long frame and it would work well. It could only be shown in a bricks and mortar exhibition though, but I have one booked in December, subject to virus spike. I will give it a showing on line first and see how it goes. If no interest, I will keep it framed for local shows

In the meantime, I will start thinking about my next subject

Bosham Harbour: along the Causeway

Bosham Harbour from the Causeway

I am starting another painting of Bosham, this time from a different angle. This started because I want something to use in one of those long frames I bought. Bosham has worked well in the past but I can’t repeating that same shot, so this time I am standing on the causeway which floods at high tide and which gives good possibilities for an interesting composition

So far I have drawn the cottages on the water’s edge and the church behind. I am not sure whether you can make that out and will include a close up at the end

What is that splash of yellow? Something I haven’t tried before. I have laid down the basis of a low sun across the water. The plan is to wash over that with the sky and sea colour. I may well live to regret doing that, but sometimes you have to try something a little different.

I shall wash over with a mix of blue and vermillion, and hopefully get a low lit subject. We shall see.I will leave the close up of the drawing

I hope that is a bit clearer. The wall on the corner is foreground. The posts mark the edge of the road which will be flooded in this picture

Padstow Harbour Painting Completed

This is the completed painting of Padstow Harbour in Cornwall, a very well known and popular place. It is a fishing port and consequently well known for good sea food restaurants. The well known Rick Stein comes from Padstow and has his own restaurants here, not to mention a very good fish and chip shop, and I believe he also had his own cookery school where he trained people in the fine art of good cuisine. Some years though since I have been here, and my information may be a little old.

The reference shots for this painting go back a few years, and I may have mentioned already that I have painted this view before but some years ago. I sold it so can’t compare and in those days was a bit careless about photographing my work. As I remember though this painting is very different to that one

I used a different palette for one thing. Not long ago I bought a new paintbox called Graphitint by Derwent, and I rather like them. I am not here to advertise and I haven’t been asked to, but I used some of these colours on the buildings around the quayside. What these paints do, and there are a dozen of them, different shades, is to granulate, so in other words, the pigment doesn’t dissolve completely but hangs in the water. When the water dries the pigment stays on the paper, usually in the tooth of the surface, and provides a sort of gritty effect. That may not sound attractive the way I’ve described it, but it works very well for stonework on buildings. The colours are a little muted but I don’t mind that. Other people can judge for themselves.

Otherwise quite a time consuming painting, working on the boats, which is quite enjoyable for a while, and then I need to rest. The reflections took a long time building up the depth of colour, and eventually I needed some coloured chalk for the very deep shades

Anyway the painting is finished. It will be in time for my redesigned web site, which I am looking forward to seeing one day

Now perhaps a short break from painting whilst I consider my next subject

Partway through the painting of Padstow Harbour

The Under Painting

This is the stage that I have reached so far, namely the under painting on which hopefully to build

I have chosen a different colourway to anything I have used before, mainly as an experiment and perhaps hopefully to learn something. If it doesn’t work then I may have wasted a painting. I did this painting between 15 and 20 years ago, and just used the local colours. This time I wanted to inject some sunshine and maybe some mood into the painting. The photographs if you remember my last post, were taken in flat light, so no shadows and frankly rather dull

I used a base coat involving a mix of phthalo blue and viridian for a green/blue which I used for the sky and also for the sea in the foreground. I moved from sky colour to a peach for which I mixed orange and yellow and added rose. I quite liked that colour for a change. The sky moved to peach for buildings and boats and then back to sky colour for foreground sea. Remember I haven’t done this before, so could turn out badly

I have started to work on some of the buildings using blue with burnt sienna plus a dab of raw sienna to look like lichen on the roof. I have also drawn in some masts which I missed when I did the initial drawing

That is as far as I am so far. Other things demanding my attention as usual, but I quite like doing a little at a time. I may have said that I am completely overhauling my website which is time consuming but I think will be good when it is done. More of that another time

Bosham Sunset Finished

The Finished Painting
About to come off the board

The Bosham painting is finished at last. At the end of the day, there wasn’t too much that I could add to the painting on the last post

I completed some details like the spinnaker on the nearest boat. This is now plumper and more realistic. I have added more suggestions of reflections from this boat, which is already in shadow, but some more red around the stern gives a highlight

I have my eye on the next project, which will be from my recent Scotland trip. I haven’t done anything Scottish as far as I can remember, usually too busy with the Mediterranean, so perhaps it’s time to correct that

The subject will be the Eilean Donan Castle which is near the Kyle of Lochalsh, the mainland side of the Skye Bridge. It is a beautiful spot. I have started already doing some sketches just to work out the composition, and when I have something to show, then I will publish

The other good thing was that I received a commission this week to paint a hotel in Bath, a beautiful city, mostly Regency in style and built in a lovely honey-coloured stone. Commissions have been quiet this year and this is the first, so very welcome. It will be one of those paintings that will be enjoyable to do, and again more of that later.

Bosham Harbour at Sunset: part finished

Bosham Sunset not quite finished

This is the painting so far, which wants tidying up, and at the moment I am just looking at it, and wondering the best way to go

I’m thinking that the nearest boat needs some more detail, but it is also supposed to be in deep shadow, so detail obscured which contradicts

I am going to work on the spinnaker, which needs beefing up. I am not a sailor, but even to me, the spinnaker is rather puny. Quite a lot of sail gets wrapped around this so it needs to look a good deal fatter than I have shown it

In the shadow of the nearest boat, I would like to see more red, which won’t necessarily be correct, but I would like relief from the grey. I have tried to convey the sun catching the stern

Other than that I shall just keep looking, whilst all the time trying not to fiddle, which is a cardinal sin in watercolour.

I am also itching to start on something fresh, a castle in a loch, which I saw in Scotland a couple of weeks ago, which is very dramatic, so I may wrap Bosham up and move on soon