Two Paintings worked on simultaneously

Camargue Wild Horses

I was kindly sent images of Camargue horses, which frankly have spoiled me for choice. Many were of the herd charging through the shallow water kicking up spray, and these make for very dramatic paintings of the type I love to do, and which I will do. For the moment I do have one such painting in my collection ready for exhibiting and that is currently on my Artfinder site and also on my own web site.

As I went through the images again, I was drawn to the one shown. Completely different to the others, it is almost pastoral in quality, with that feeling of peace that one gets after a long gallop, when everybody gets their breath back before moving on. I think I will try using this one for inspiration. Drawing will be a challenge as the shapes are so dark but nonetheless will be fun to try.

We watched them when we were there. I took some pictures but the quality just wasn’t there, so I have to look at other images which made a better job of capturing these lovely horses

I have also been asked to provide another Bosham picture similar to ones that I have sold so often. There is only one shot that people want, so I have to scratch my head to think of ways to make each one individual so in this case, I will be changing background colours to something I haven’t tried before

Just as a by the way, I am pleased and relieved to be able to report that my Artfinder sale reached its American buyer safely and promptly. If I have already mentioned this, my apologies and please ignore. I had a very nice text back from a happy buyer, telling me how pleased she was with the painting, so pleased with that

Back to the easel!

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Langstone Mill Finished Painting

Misty Morning in Langstone

Well, this is the finished painting in its frame which I have entitled Misty Morning in Langstone, as I have deliberately kept the colours pale to give that effect. That is my story anyway. In reality it works well, I think but photographing it was difficult. I had to wait for really flat daylight so as not to get reflections in the glass.

I quite like the trick of leaving out the horizon line which gives the scene a more misty look. I read this somewhere not so long ago.

Maybe another time I will try and deepen the colours a little, but always the danger that the misty effect might be lost

I am just packing up paintings for the Leatherhead exhibition which starts on Tuesday and goes on for two weeks. We will see what that brings. Nothing last time, but we live in hope

A very rare happening a couple of weeks ago, I actually sold a painting from my Artfinder site, thus proving that everything comes to he who waits. The painting was of the Bosphorus Waterfront, and went to a collector in the United States, which I am very pleased about

Langstone Mill Part Finished

Langstone Mill Part Finished

When this is finished I hope the misty look will still be apparent. I would like the painting to have an early morning look, the problem being, the more detail that one adds, the sharper the image becomes. All I can do is finish the painting and see which way it goes.

As you can see, colour has been added since the last post. I have used two pigments initially, Vermillion and cobalt blue, and also a mix of the two to produce a grey blue for the shadows. I have also brought in good old Burnt Sienna for the brickwork.

To the right, out of shot are three small sailing ships waiting to be finished. I have deliberately not put in an horizon line, to accentuate the mistiness of the scene. That is the plan anyway.

Details still need to be added to the buildings like verandahs etc, and soft interrupted reflections in the water. Masking fluid wants to come off, revealing the marker posts which are red and white like barber’s poles, as well as the flag post which will be white with a red flag. The boats might get a red pennant each. Not forgetting the seagulls which have to be added, as the only sign of life in this remote spot at a very quiet time of day.

If that works I will be quietly amazed!

A pleasant surprise a couple of days ago! I made my first international sale from my Artfinder site, Bosphorus Waterfront, which has been bought by a client in the US of A. It has only taken me two years to achieve this! The painting can be found on my website davidharmerwatercolour.co.uk should you wish to look

Now I am on tenterhooks about it arriving safely, and am tracking periodically. The package is currently at New York City Gateway, and needs to be transshipped mid west. They estimate delivering on Monday so fingers crossed for a rapturous welcome. The client has 14 days to return the painting if not delighted, which must be really demoralising for the artist, but we will see