Baguettes

Baguettes

I quite like doing these narrative paintings from time to time. This one I have done in a vignette style, again something I do for a change. In some ways this style takes less time, as I don’t have to tape up, and without big expanse of sky or sea, there are no big washes to worry about.

This was not done from one of my reference photos, and my thanks and acknowledgements go to an unknown photographer whom I could not find. This painting is not a copy of but was inspired by a photograph.

This is pure nostalgia in one sense. I don’t know of a visitor to France who didn’t enjoy that early morning trip to the boulangerie for the fresh bread.

In England we don’t have that culture. Our bread is homogenised and comes plastic wrapped, although some of our supermarkets are now baking on site, and producing something worth eating. But we still don’t go for it early morning when it is fresh and still warm

This is Paris obviously. The location was not marked, but looks like Montmartre, with those steep steps. Again a place much visited and much painted.

I changed the background considerably. I have lengthened the perspective so that the Eiffel Tower looks much further away. The buildings are deliberately out of focus, so that we concentrate on the lady in the foreground. We look at her with great compassion as she struggles homeward up that steep slope, heavily laden. I see her almost pushing that basket with her knee, to take some of that strain off her arm.

This painting is smaller than my usual, this time about 30×25 centimetres. I found it a pleasant change to do. At the moment,thanks to lockdown I am sorting and consolidating my reference photographs, so who knows may find more of this type

Painting Someone Else’s Photo

With their permission of course

A typical square in the south of France

This was really something of a diversion, while I considered where my priorities lay, for the next painting.

This exercise is really part of a competition, which appealed to me. I don’t usually enter competitions as I never get anywhere, but what intrigued me with this one, was, that it was using ball-point pen with watercolour. Something I had thought of doing but for some reason, not got round to .

This took me back to the days before I retired. I worked for a company that made specialist furniture and fittings for the hotel and restaurant industry. I designed things to customer specification, which is a grand term for drawing out from people what they wanted, and then sketching them during the conversation, until we arrived at a solution. This is very good drawing practice and I can recommend it.

Ball point works well on a hot pressed surface, the motion is fluid and the image is instant. You can’t rub out of course which can be a problem. It doesn’t work very well on cold-pressed watercolour paper which is what I use. The ball clogs and pulls at the paper

Nonetheless it was a useful exercise and interesting to see how it ended up. I sent my entry in after all, very much tongue in cheek. If I never mention it again, you will know that it bombed