Windsor Castle–preparing the painting

Windsor Castle-the preparatory drawing

Windsor Castle, a royal residence since Saxon times, was developed by William the Conqueror in 1070, on the south side of the River Thames. Henry II built the central round tower, Edward III added the royal apartments, Charles II and George IV both made alterations. It dominates the town of Windsor, is surrounded by Windsor Great Park and is frequently used by Queen Elizabeth II

It is a wonderful architectural study. It is a long castle covering different periods of architecture. At one end a fortress and royal apartments, at the other St.George’s Chapel. Monarchs have been buried there since Henry VIII. There have been no less than 17 royal weddings in the chapel, one of the most recent being that of Princess Eugenie to Mr. Jack Brookbank in 2018.

So far I have drawn the skyline which I found enjoyable with so many details. I wanted to put in the shadows but these would be disturbed by the first wash. I remembered an exercise that I did many years ago, from a book by the late Rowland Hilder. When I first started painting in watercolour, I was lent a battered copy of a book by Hilder, and was literally bowled over. His skies were like something by an old master, and he explained them step by step for the benefit of students. Later I managed to find a copy online and bought it and I refer to it still today

The exercise I was referring to, was his painting of Knole House in Kent. Before anything else, he put in the shadows of the building, in ink, sepia I think. That is what I have done, with my first step when painting Windsor Castle. The structure of the drawing is now immediate. Also I can paint across the drawing without these shadows being disturbed. Another advantage of ink, is that when dry, the colour is the same as when wet. How often have I put down a dark watercolour, and when I came back later, the colour had disappeared into the paper.

I shall leave that for a while to go hard before painting. There are some deep shadows under the trees where I might use ink again. I used to do quite a lot of ink and wash work, but haven’t for a while now. Refreshing to come back to it.

The Cartwheeling Dean–an old friend returns

The Cartwheeling Dean

I did this painting in 2011, the year of the Royal Wedding, when William married Kate in Westminster Abbey. You may remember after the ceremony, that the Dean of Westminster did a cartwheel down the aisle, after the royal party had left, of course. Just something he did out of pure joy I imagine

The village of Pirbright, not far from where I live, and where I paint from time to time, used to put on an annual scarecrow festival, and the skill and artistry that went into making these scarecrows had to be seen. Tableaux usually of different things, book titles, events etc. In the parish church, a complete tableau of the wedding was created. It was amazing. I didn’t take a picture. I wish I had

Included in the scene, was the cartwheeling dean. I did photograph him and painted him later. I took him to local exhibitions, thinking someone would want him but nobody did. Eventually I sold him online and he went to someone in the north-east, and how strange is that. The man who bought him, wrote to me, and told me that he looked at this painting every morning and it made him smile. It was worth painting him just for that.

However, years later someone in the village is writing a book entitled ” Pirbright in Art”, and artists have been asked to submit paintings of, and around the village. I have sent in a selection, including the cartwheeling dean. It would be nice if he was included. We shall have to see.

Portsmouth Harbour — the finished painting

Portsmouth Harbour with Spinnaker Tower

A view I have seen a few times, having sailed out of this port on several occasions. Years ago ferries ran to the Isle of Wight and that was about it. Ferry crossings to France and the Channel islands followed, and subsequently cruise ships use Portsmouth frequently, or did until they were mothballed due to the virus. I think the last time I sailed from Portsmouth was on a cruise ship, which circled the British Isles

Behind the Spinnaker Tower is the historic dockyard, preserving three old men-at-war. The Mary Rose the remains of which was lifted from the seabed off Southsea in 1982, Nelson’s famous flagship Victory, and the Victorian warship Warrior, which combined sail with steam. The Mary Rose sailed out to meet the French, watched by Henry VIII from Southsea castle. She was equipped with broadside of cannon, a new innovation. As she turned into the wind, she took in water through the cannon hatches, which should have been closed, and sank quickly. That was in 1545. Henry died in 1547. Had she engaged the French, it would have been the first engagement using broadside of cannon. Ah well. The French camped on the Isle of Wight should have invaded but were decimated by disease. The same was the case with the English troops. Eventually both sides went home.

The Victory is well known and so is the Battle of Trafalgar in 1805. Nelson lost his life and was brought home in a barrel of brandy aboard the Victory. The barrel containing the admiral’s body had to be guarded by marines, to stop sailors siphoning off the brandy!

The Warrior, as far as I know, never fired a shot in anger. She commanded the Home Fleet and was on patrol in the English Channel. Portsmouth itself was heavily fortified with forts on Portsdown Hill and forts in the Solent. We feared an invasion from our old friends the French, which mercifully never materialised

So a lot of maritime history in and around Portsmouth as you might expect. A town I knew well, having grown up in the area

The area to the right, is still referred to as Old Portsmouth. We used to go there a lot, for fascinating old pubs and spectacular views across the harbour of an evening, sitting out with a drink enjoying the sunset over the water. Some of those are shown but the old names seem to be gone. Sic transit gloria mundi.

The Spinnaker Tower and the shopping centre, Gunwharf Quays just below, is comparatively new to me. I never did make it to the top, as there was always a queue to go in whenever I was there. Not that I am a great lover of heights anyway. I found it tricky to draw, that I do know, and probably it is far from perfect

It is a painting that I always wanted to do, so finally done. Now I have to move on, as I have been given a commission, which is always nice, although again not going to be the easiest to make a composition of, but I think I have arranged it in my head