It is now some time since I have posted anything, and it is good to be back. It is also extremely good to be painting again. My life for the past ten weeks, has centred round hospital visits and more recently consultations with the physiotherapist. Today I was discharged from hospital so trying to get back to normal after my accident
I started this painting about two weeks ago. It was to replace a gap in my range. I sold two Bosham paintings at my last exhibition in June, which was held in the gallery at Denbies Wine Estate near Dorking. I had a telephone call from a gentleman asking if by chance I had a painting available of Bosham which he wanted as a gift for a friend.. How fortunate. He was prepared to wait and is collecting the finished item tomorrow, so that is good
I have used sunset colours which always work with any subject involving water. The deep reflections are perfect for this size of painting. There are just four colours in the picture, red and cobalt blue, violet and transparent brown
There are more finished paintings to come. Roman Sunrise, which is a splendid early morning view of St Peter’s Basilica, and also the Bridges of Prague, which I am just finishing
Two exhibitions in December coming up so will need plenty. Fingers crossed that strict Covid restrictions aren’t reintroduced of course as they were last year at the last minute. Our infection rate is rising worryingly, with the government trying to avoid taking any action. It is as though they are taking some desperate gamble that herd immunity will kick in which will save them putting any curbs on the economy
Anyway sorry about my long absence. Hopefully I can get back into the swing again.
The finished item. Quite a lot of trees, relieved by the building to a certain extent, but nevertheless the greens took some sorting out. Mostly they are a mix of sap green with something else. Quite a lot with raw sienna, which is the one I use mostly for vegetation, and works I think for the lighter trees.
The boats have been useful, bringing in some red to relieve all that green, and also stop the eye going off the page. As I said in the last post, I have used sepia ink for the shadows on the castle. I was a little hesitant about that, but seems to have worked out ok.
I seem to be working my way through the list of paintings that I always wanted to do and couldn’t find the time. Lockdown plus very wet weather does keep us indoors a lot. Looking back at these favourite places does make us wonder if we’ll see them again. Vaccination programme seemed to be going well, but now they have found two tested positive for the South African variant, in our village, without them going to South Africa
I think I have managed to disguise the hard line between the blue and the pink near the bottom of the picture, mostly by putting in some extra boats, which was not the composition that I set out to do, but the best I could do in the circumstances
I have also put in some white foam along the water’s edge, and converted part of the hard line, to shore line and again I have convinced myself that this was successful
This was to have been the last of the collection going on show in December at Denbies gallery near Dorking. This still may happen if the lockdown finishes in early December, but the gloomy side of my nature fears that it will continue, in which case the exhibition will be cancelled. Rather sad as I was looking forward to doing a real exhibition this year finally, although online sales have helped balance things out, I must admit
As always there are other interesting things going on. The book illustrations are going on apace, although the author thinks of something new, every time I think I’ve finished. I had a call from the University of Creative Arts in Farnham, from students who are producing a documentary on art. They interviewed me on the telephone for about an hour, so quite intensive almost philosophical. They want to film me working, but that will have to be shelved now for a while. To be looked forward to, one day
This is the moment when the painting starts to emerge from the mist, quite literally for a painting by the sea.
My big problem was the hard line between blue and pink at the bottom of the painting. It was impossible to eradicate. I tried a small section and it was worse if anything
One of the marks fortuitously formed the shape of a stern of a small boat. That was something of a gift and I painted in the bottom right hand boat with canvas cover. Ok, what next? I think I have already said that I painted in the two dinghies in tow from the sailing boat, and the last one does help to cover that hard line.
That still leaves the left hand side of the picture. I scoured my files for images, and found one that would work. The boat is not afloat, rather propped up in the shallows, so the bottom length of painting will now be shallow water, about ankle deep. That will be amusing, trying to give that illusion. The propped up boat will help and I have made a start. A ladder is alongside and so are props. You will be able to see the keel standing out of the water. After that, I haven’t worked out
I have started to deepen the colours of the mill buildings. They look quite brightly lit now by a low sun. The photograph doesn’t do it justice, but then does it ever.
This painting has given me some problems, even though it should have been straightforward. Never be complacent, and think you will dash something off. I needed a Langstone picture for a forthcoming exhibition, and thought I would fall back on an old favourite, namely Langstone Mill. This lovely spot is on the edge of Chichester Harbour and just before you cross the road bridge to Hayling Island. You may know it. If not, enough to know that it was once a bustling medieval port which died in the twentieth century, and now is a quiet creek. The old mill, wind and tide, is a very paintable subject.
I thought I would give it a sunset look. Again straightforward. For some reason, beyond my comprehension, the lower half did not work. The transition line from red to blue which should have blended seamlessly, just did not do so. In fact I had one of the roughest edges that I can remember. Not just hard but erratic looking like nothing I could understand
I have tried washing in carefully with clean water, but that was not a success and left an even more unseemly mess. Watercolour, as all will know, is difficult. Mistakes are hard to correct. I should know that. I have painted in nothing else for about twenty five years
The last resort is always to paint something over the blemish, if you can. I painted an extra boat in the bottom right to cover the very worst mark, and was lucky enough to use the lines of the blemish as part of the composition. So far so good, but there is a long way to go. In the centre I added a dinghy to the same purpose, and then another to make a small convoy to the sailing boat. I have seen two dinghies in tow to a larger boat before , so not too fanciful
And now what am I going to do. Well, when I know I will let you know. There will either be a finished painting or nothing at all. We shall see after I have done a lot of thinking and a lot of playing around
I went to Beer some years ago when staying with friends. The fishermen there pull their boats up onto the beach, and arrange them in a row. I’m not sure whether deliberate or coincidental, but the result is very colourful, and for years photographers and painters alike come here to record them
I have painted them before but from a different angle, and I don’t have a photographic reference for this painting, so I have had to imagine the perspective. I have always found it difficult to get the colour right for a brightly coloured painted finish cast in shadow. I generally put shadow in first, so a coat of blue or violet left to dry, and then the local colour glazed over, usually works. It doesn’t work with these strong colours, so I have had to experiment with different blues and reds to get the result. It took a long time and even now I am looking back and wondering
The result is sunny and bright, however, in these worrying times. I have simplified a lot of the detail, so would class this painting as more impressionistic than realistic. I find it cheerful to look at, so hope others do too
Before I put the background wash in, I scrubbed literally a good deal of the yellow away. On the original painting the yellow blends nicely as a sunset colour. In this photograph it stands out again, and I fail to see why. I can do no more with it, so must show it, warts and all.
The yellow scrubbed back down almost to white was probably the colour I was looking for originally. I did a faint yellow wash on the front of the white buildings, and that worked well too, but lost on the photograph. Oh well!
The composition extends further to the left including more boats and more sunset. I could put this in a long frame and it would work well. It could only be shown in a bricks and mortar exhibition though, but I have one booked in December, subject to virus spike. I will give it a showing on line first and see how it goes. If no interest, I will keep it framed for local shows
In the meantime, I will start thinking about my next subject
I am starting another painting of Bosham, this time from a different angle. This started because I want something to use in one of those long frames I bought. Bosham has worked well in the past but I can’t repeating that same shot, so this time I am standing on the causeway which floods at high tide and which gives good possibilities for an interesting composition
So far I have drawn the cottages on the water’s edge and the church behind. I am not sure whether you can make that out and will include a close up at the end
What is that splash of yellow? Something I haven’t tried before. I have laid down the basis of a low sun across the water. The plan is to wash over that with the sky and sea colour. I may well live to regret doing that, but sometimes you have to try something a little different.
I shall wash over with a mix of blue and vermillion, and hopefully get a low lit subject. We shall see.I will leave the close up of the drawing
I hope that is a bit clearer. The wall on the corner is foreground. The posts mark the edge of the road which will be flooded in this picture
This is the completed painting of Padstow Harbour in Cornwall, a very well known and popular place. It is a fishing port and consequently well known for good sea food restaurants. The well known Rick Stein comes from Padstow and has his own restaurants here, not to mention a very good fish and chip shop, and I believe he also had his own cookery school where he trained people in the fine art of good cuisine. Some years though since I have been here, and my information may be a little old.
The reference shots for this painting go back a few years, and I may have mentioned already that I have painted this view before but some years ago. I sold it so can’t compare and in those days was a bit careless about photographing my work. As I remember though this painting is very different to that one
I used a different palette for one thing. Not long ago I bought a new paintbox called Graphitint by Derwent, and I rather like them. I am not here to advertise and I haven’t been asked to, but I used some of these colours on the buildings around the quayside. What these paints do, and there are a dozen of them, different shades, is to granulate, so in other words, the pigment doesn’t dissolve completely but hangs in the water. When the water dries the pigment stays on the paper, usually in the tooth of the surface, and provides a sort of gritty effect. That may not sound attractive the way I’ve described it, but it works very well for stonework on buildings. The colours are a little muted but I don’t mind that. Other people can judge for themselves.
Otherwise quite a time consuming painting, working on the boats, which is quite enjoyable for a while, and then I need to rest. The reflections took a long time building up the depth of colour, and eventually I needed some coloured chalk for the very deep shades
Anyway the painting is finished. It will be in time for my redesigned web site, which I am looking forward to seeing one day
Now perhaps a short break from painting whilst I consider my next subject
This is the stage that I have reached so far, namely the under painting on which hopefully to build
I have chosen a different colourway to anything I have used before, mainly as an experiment and perhaps hopefully to learn something. If it doesn’t work then I may have wasted a painting. I did this painting between 15 and 20 years ago, and just used the local colours. This time I wanted to inject some sunshine and maybe some mood into the painting. The photographs if you remember my last post, were taken in flat light, so no shadows and frankly rather dull
I used a base coat involving a mix of phthalo blue and viridian for a green/blue which I used for the sky and also for the sea in the foreground. I moved from sky colour to a peach for which I mixed orange and yellow and added rose. I quite liked that colour for a change. The sky moved to peach for buildings and boats and then back to sky colour for foreground sea. Remember I haven’t done this before, so could turn out badly
I have started to work on some of the buildings using blue with burnt sienna plus a dab of raw sienna to look like lichen on the roof. I have also drawn in some masts which I missed when I did the initial drawing
That is as far as I am so far. Other things demanding my attention as usual, but I quite like doing a little at a time. I may have said that I am completely overhauling my website which is time consuming but I think will be good when it is done. More of that another time