Alhambra Painting Finished

Walking Round the Alhambra

The watercolour version of the black and white sketch that I posted a week or two back

Hmm sometimes I prefer the black and white, and this may be one of them

The intricacies of Islamic tracery are beyond compare, and maybe one shouldn’t attempt them in watercolour. Much of the detailing had to be left out as beyond the scope of the brush, or certainly mine at any rate. Really I was  interested in shadows as much as anything else, and even then not perhaps my best work

For spontaneous watercolour painting of architecture, I am a great admirer of John Singer Sargent, who is usually remembered as a society portrait painter, but he travelled and painted  in Europe a great deal, especially in Italy. He would draw architecture with a brush, which is a skill I admire, but haven’t yet aspired to, as I need pencil guidelines for something like architecture where accuracy is essential. I looked at some of his work recently and have started collecting his paintings on Pinterest, so stimulating are they.

Looking into some of his paintings of Venice for example, he paints enough detail to create the effect, not quite Impressionism but going that way, and feels confident enough to leave things out. The results and the colours are stunning, and each one is a collector’s piece, which of course they are. Perhaps I could convince myself that I was attempting something like that with this painting.

Coming back to my Alhambra piece, the camera has once again bleached out some colour, and reveals brushwork which the naked eye cannot see. A lame excuse but I offer it anyway

I may come back to it one day, but I have one or two things I want to do for an exhibition in October, one of which is to paint the view of New Haw Lock which I drew on site last week, so that will be my next project.

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Walking Round the Alhambra, the Tonal Sketch

Alhambra Sketch Lion Courtyard

From the photograph, I have made a fairly quick sketch in black and white, just to give myself a tonal guide for when I attempt the actual painting

This is not intended to be an architectural drawing of any merit. The actual painting will, I trust, be better, but even then the detailing of the architecture is such that with the best will in the world, some simplification will have to be permissible. I am more interested at this stage in working out the light and dark areas. Hopefully the finished work will reflect the dazzling floor of the courtyard, and also suggest the intense heat from outside. It was about 35c whilst we were wandering around, but we were fine in the shaded areas. It must have been much the same for the original owners who built the citadel, and of course it would get much hotter in July/August

As I’m writing this in south-east England, the temperature is around 32c with no prospect of rain in the foreseeable future. It seems strange to be nostalgic for our unreliable climate of yesteryear, when the possibility of rain was always a worry when planning an event.

I didn’t use ink this time. I used Paynes Grey watercolour which I quite like. It is underrated, I think, and gives a pleasant blue/black shade to a sketch which I find preferable.

I have exaggerated the bleached out look of the arches on the other side of the courtyard. Whether I will get away with doing that in colour, remains to be seen. The small round fountain in the foreground does nothing for me and will be left out of the finished work

My poor sales record for the year received a boost at the week-end. I delivered successfully the Docklands Commission, and that will be going out to Sweden next month. The same day, I sold Bosham Panorama from my website and that is being collected next week. So very pleased about that.

It meant that I had to rush round and frame my latest painting of Bosham Creek, so that I had something to show on Saturday at the Railings Exhibition in Pirbright. That though is a happy problem