An Interesting Sale

Corfu:Shopping Lanes in Kerkyra

This painting sold on the internet out of the blue. They’re often the best ones I often think, as they give you a boost. A buyer in the United States has bought it, and it is on its way as we speak

We have had a dreadful start to the year since getting back from Romania. My father died on New Year’s Eve whilst I was away. My wife and I have both been ill ever since getting back. I am just getting over bronchitis and my wife has one heavy cold followed by another. Fearsome bugs

We have had to do funeral preparations whilst feeling like death ourselves, even though having wonderful support from family, there were some things I had to do myself

This painting had happy memories. We were in Corfu about three years ago, and enjoyed it immensely. Literally any port in a storm, we were unable to dock on the Adriatic coast and had to run from the storm. Corfu took us, and what a lovely place it is. We had a tour round the island and spent the afternoon in Kerkyra in the shopping lanes. This painting was my memento. I am so pleased that someone has chosen it and it will go somewhere it will be valued

Afterwards we sailed for Greece in the evening. It had been a lovely trip. Often thought I would like to revisit Corfu and spend more time

Anyway this short blog whilst I think of it. I am still working on the Venice picture but not as much as I would like

Grand Canal Venice– an old favourite, a different view

Grand Canal, Venice

This is the picture that I am going to work from. I have done this view before, but it is so magnificent that I come back to it every now and then. Incidentally, this is a different take to the one that I did last time, and also I am going to rearrange this photograph. I am going to push back the buildings on the left so that we can see the mouth of the Grand Canal and the horizon beyond. This should hopefully give us a feeling of distance as we look out to sea.

So far I have done the drawing which I will use for painting, and you will be able to see the changes for yourself, and I will show that now, although the lines are faint so may not stand out well

Grand Canal Drawing

Perhaps not too bad, and perhaps you can see where I have moved the buildings to the left. We can see the mouth of the canal, and the building I believe to be the Customs House, and then out to sea, but that won’t be apparent until after painting

For sky and water I will start with my mix of Cobalt and Phthalo Blue, which I know I have said before is a good Mediterranean colour. I will need to mask off the buildings to the left, including the balconies and awnings which stick out over the water.

They will need to be in yellow and pink, so important to paint on white paper.

The buildings on the right will need a cover of raw sienna as a base coat, before building up with other colours, and before covering with deep shadow.

Coming back to writing this blog, I have now done just that and have detailed the domes, and all I can say is so far so good.

La Sagrada Familia, Barcelona: the completed painting

The Church of the Sacred Family in Barcelona

The painting is complete and as always, with any of my completed paintings, I am loving parts yet totally unsure of some of the details

The trees were in deep shadow in reality. I put them in deep shadow in the painting. Hmm. not sure. The church immediately went into the background. That wasn’t intended either

I really like the cranes which some might find strange. I think of them as part of the sculpture. I don’t think they clash at all with the basilica, magnificent as it is.

Possibly this composition will still work as a painting. I really am not sure

I am going to post it on line and will invite comment, in fact I would be grateful for comment. I did frame the work, and of course anything framed looks better, so nothing conclusive there

I will start on a new work later. Nothing to do with this one, but when I have done that I may well do a second version of Sacred Family and somehow leave out the foreground trees, and see if I am happier with that.

My next exhibition is in October so I have time. Shortly I am heading north to colder climes, Shetland Isles and the Faroes where recorded temperatures are about 11c. Yesterday at home we had 32c so an abrupt change. No painting for a week or so but maybe some sketchbook work, if I am lucky.

La Sagrada Familia Barcelona Painting in progress

The Church of the Sacred Family Underway

I have been doing some work on the painting. Unfortunately as always the photograph doesn’t show the depth of colour, which is a pity because the church is against a red sky, and the pink glow is reflecting on the building

The drawing was testing as I said before, and easy to see why the building is taking so long. The draughtmanship and architectural work is pure genius. Just making a sketch I have found tricky in the extreme

So far I have just been building up layer upon layer, wet on dry, of a pinky grey colour, which is close to the original, but not showing deep enough in this image which is frustrating.

However, we continue. I will need to introduce green into the trees, and am just wondering which shade. The tops of the trees will need to reflect red from the sky. The undersides of the trees will need to be very dark indeed

I will have to play around with that

I like the cranes. They add to the feeling of sculpture.

Just referring back to the last post showing the dragon of Kew Gardens. This was shown at the Pirbright Village Fair last Saturday along with three other paintings. Nothing of mine sold. Some very favourable comments about the Swan painting but no commitment to purchase. Alas. That’s exhibitions for you.

Barcelona: to continue with the painting of the Church of the Sacred Family

Church of the Sacred Family

Now that the dragon painting is completed, I am back to the attempt on the painting of the Church of the Sacred Family. I say attempt, because so far I have just done the drawing and trying to follow the detail is absolutely mind bending

Small wonder that building the church has been taking so long following the death of Gaudi, and still more than twenty years to go. What is there, is staggeringly beautiful, both outside and in.

My painting I think will be an impression only. Certainly it won’t be an architectural drawing

We shall see when we get some colour going, and that is for later

The Church of the Sagrada Familia in Barcelona

I was here earlier in the year, and I have already written a post on this so won’t dwell on the building and its history, magnificent though it is. This was my second visit in two years, and frankly the interior is breathtaking.

The reason I have put this picture up again, is because I am going to attempt a painting of the exterior. This will probably turn out to be foolhardy, as the intricacies and detailing of the architecture on the facade are legendary. However I will soon start a drawing and see where it takes me. The drawing exercise will be the testing part, I know but it is one that I want to attempt.

I will rearrange some of this shot. The pond in the foreground is not attractive. The colour is an unpleasant shade of yellow, and I would like a lot less of it. The foliage in the foreground may or may not be included

Anyway I will come back when I have something to show

Just to end up, my exhibition at the Guildford Institute produced only one sale, the painting of Bosham Creek. Still at least I wasn’t out for a duck, and the guy who bought it was thrilled with it, so that was good.

Bosham Creek, sold and with its new owner

A lean time now for exhibitions, apart for local shows. October at the Royal Surrey Hospital in the Peter Thompson Gallery, which is usually a good venue, will be the next major show for me. Time to build up stock of some different paintings.

Venice: The Old Fish Market finished and framed

The Old Fish Market, Venice

Finally completed and framed! It seems to have been a long time coming. I have shown it framed as because of its size and shape, I can only offer this painting in a framed condition. That will be fine for a local exhibition, but not sure about sending it, although the shipper I use is very good and is used to packing antiques, so will just have to investigate the cost side of things.

I used one of my own photographs as a reference for this painting. Looking down from one of the old palaces opposite, this view was nicely framed by Gothic windows which I have obviously not included. That could be an entirely different painting at another time.

For now, I will rest this painting in anticipation of the next show, of which there are various coming up

I now have to think of my next subject. The Basilica of the Sagrada Familia is in my mind to do, but also is the local church in Shere Village. I will have to think

Venice: Watercolour Painting of Old Fish Market Completed

Detail from Old Fish Market Completed

The painting is finished. All in watercolour, my usual medium. This picture is just a detail, as the complete painting is long, about 50 centimetres , and as the height is only 20 centimetres, is consequently too long for the camera.

I have frames purely for these long panoramics, as I call them. They work well and are popular, and when I have framed this one , will photograph it again, which will show it off to better advantage.

As always, as I finish a painting, I have to start thinking about the next, and trying to decide in my mind what it will be. I think, and especially as I have been there recently, I might well paint something from Barcelona. The obvious candidate is the Basilica of the Sacred Family, which is breath taking. I did bring back some good photographic references, so should be able to do something worthwhile with that subject. I should make a start on that and get it at least part underway, before we undertake our next journey, which will be Rome, and goodness knows what I will bring back from there. Trevi Fountain, St.Peter’s, Spanish Steps, the list goes on and on.

To be thought about.

Venice, the Old Fishmarket Painting, Work in Progress

The Old Fishmarket in Venice, Work in Progress

In between doing other things, I have been working on this long painting of the Old Fish Market and neighbouring buildings along the Grand canal.

I started with my favourite Mediterranean sky colour, Phthalo Blue mixed with Cobalt Blue, worked into a mix of Raw Sienna and Naples Yellow as a basis for the buildings and then back into the sky colour for the water.. I have given the water one coat of Phthalo Green, which has had no effect whatsoever, so will have to go over it again. I do want it to look green rather than just a mirror image of the sky

The rest of the painting is mostly painstaking detailing. I have put in some deep shadow in places and have done a few windows, but must summon up the strength to do more. But this where we are for the moment, crossing my fingers that all will be well in the end.

I quite enjoyed putting in the red and green blinds on the market building. They were part of the attraction of the scene. But as I always say, the painting must be finished before a judgement can be made

Just a reminder of the actual scene

My very bad photograph can act as a reminder of the scene that I am trying to capture in paint.

Whilst writing, I extend deepest sympathy to the people of France for the fire at Notre Dame de Paris. Very sad moment. It will be rebuilt and be glorious again but upsetting for now

Barcelona in March 2019

The Church of the Sacred Family

Gaudi’s famous basilica which is nearing completion. The target date is 2026, which will be the centenary of the architect’s death

Lovely to go here again. We were here two years ago, but impossible to tire of the magnificent interior. The colours from the sun, through the stained glass windows are mind-blowing. The colours range from cold to hot, and depend on the time of day, as to which colour bathes the nave. We were there in the afternoon, so everything was red and orange

I did write more about the interior when we were here last, and took more pictures, so possible to go back through the archives if you want to.

The statues on the exterior I find incredible, modern yet seemingly correct. When I say modern, perhaps I should say c20 now, as we are looking at Gaudi’s version of Art Nouveau which I find as elegant and awe inspiring as any style from history. He was a devout man we are told, and certainly his work reads like an act of worship

I took several pictures of the building from outside. This one is from the park opposite, and I might paint from this. I haven’t tried to paint the basilica yet, so might give it a go. The park was solid with people, so had to jockey for position in order to take pictures.

We were staying as before in Sitges and came in by train to Barcelona which only takes about 40 minutes. Trains are frequent and also cheap in Spain. Not like the fares in the UK which are eye-watering these days, and which nobody seems to control. Affordable public transport will take cars off the road, but no one has the message yet. Rant over.

I did manage a painting of Sitges a few years back, of the delightful San Sebastian beach, which I append. Lovely place to chill out

San Sebastian Beach in Sitges

This was done in March a few years back. Not as warm as this year, and deserted except for dog-walkers and everyone in anoraks. This year it was a pleasant 20c with a gentle breeze, as near to perfect as you could get