Flamingos in the Camargue: Finished Painting

flamingos-in-the-camargue

This follows on from the last post on flamingos which just showed the preparatory drawing. I think this is one occasion where I prefer the coloured version to the black and white. The colours are really vivid

We were in the Camargue region in the Rhone estuary watching the white horses which I have already painted, and also the flamingos which breed there. This is apparently the only place in Europe that flamingos breed, although I have subsequently seen them in Sicily. Matbe they were just stopping over.

Curiously these flamingos were more white than pink, which is the image we tend to have of these birds. I have probably used more pink wash than necessary in order to get some definition between the birds. In actual fact their heads were pale pink, whilst under their wings they were bright red/orange. I used cadmium red for these markings and that was spot-on accurate

The legs again were a very deep and bright pink. I read somewhere of someone using permanent rose with some cadmium orange to get a good flamingo colour. I tried that and got cadmium red !  Oh well, two routes to the same destination, which is not necessarily such a bad thing.

I started with a light pencil drawing taken from the original sketch. I used violet to put in the shadows on the birds and on the water, which gave me the form to base the painting on. Underneath the birds, and running down the paper, I laid a very dilute wash of Windsor Yellow, as an  experiment really, which I was glad of later, and I will explain why when I get there.

I then started to put in the red markings, and the birds started to take shape. I put in reflections of the legs in the water. I left this for 24 hours to harden off, and then laid a dilute wash of phthalo blue and cobalt mix, for the water. Over the yellow, this glaze turned a soft green, and I think, made a better water colour The red reflections showed through and looked convincing. So far so good

The shadows on the water made by the birds, I deepened with Indigo. Likewise some of the deep shadows on the birds and especially on the legs, I put in with Indigo. The same colour worked well for the tips of the beaks

So there we have the finished painting. I keep looking at it and thinking it looks bright but then again it was a bright subject

Always pleased to hear from anyone else who has experience of painting these colourful birds

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