Turner in Surrey Exhibition at Lightbox in Woking

Turner's Newark Priory

I can highly recommend this exhibition at the Woking Lightbox. Their exhibitions just get better. I had no idea that Turner did so much work in Surrey, especially around Guildford in or around 1805

He painted Newark Priory Church plein air long before the Impressionists, and you may be able to tell from my bad photograph that his style then was getting towards an impressionist one. His later paintings like Rain, Steam and Speed were all about colour and not form, very much like the Impressionists. The ruined priory church is all that remains of a once complete Augustinian foundation, coming under Chertsey as I remember. It stands on private land so it cannot be visited only viewed from the towpath on the Wey Navigation, or from the road, and I rather think Turner made his study from the road. There was probably less traffic on the road than on the canal towpath in those days

He also stayed at the White Lion Inn in Guildford High Street, one of the many old coaching inns in the town. Demolished despite local protest to make way for Woolworths store, the white lion model inn sign was kept, and brought forward again, when Woolworths itself was demolished to make way for the White Lion Walk shopping centre in the 1980s

From his room in the hotel, Turner sketched Quarry Street opposite. The scene is much the same as today, with the historic Star Inn on the right-hand corner and St.Mary’s, the Saxon church behind that. You can see the castle too. The building on the left, which is now Thomas Cook, has changed. I tried to photograph the sketch, but not too successfully

Turner's Sketch Book

I have painted this view myself, so slightly eerie

He also painted and etched a very fine view of St.Catherine’s Chapel which stands just outside of the town on the Portsmouth Road. Ruined 13c, it stands roughly on the old pilgrim’s way, near where pilgrims would have been ferried across the river. No connection with pilgrims though, as it was built as a chapel of ease for the parishioners of Artington, to save them the long journey to St.Nicholas’ Church

There is more and I shall go back

 

 

 

Exhibition in Woking Lightbox: The Camden Town Group

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This painting is by Robert Bevan 1865-1925, one of the the Camden Art School, painting as the name suggests in North London during the Edwardian period

This painting is entitled Dunns Cottage and was painted in Devon, although Bevan was just as at home painting in London, usually horse fairs and horse drawn vehicles. Bevan studied in Brittany in Pont Aven painting alongside Gauguin, and the influence on this painting is plain to see, large blocks of flat colour and unrealistic shades

Other artists represented at this exhibition are Walter Sickert, sometimes known as the father of them all, Spencer Gore and Ginner

Rather like the French Impressionists a few decades before, the Camden group painted contemporary scenes of city life, the streets, theatres, places of entertainment like pubs and circuses. Sickert portrayed young women in the nude at their toilette rather in the style of Degas, who was a great influence. Non erotic portraits of women in dingy surroundings were something he often came back to, as though the flatness of their life was something which fascinated him.

Preparatory drawings of the figures for his famous painting Ennui are also there, a study of tedium and of people trapped in their lives

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The Balcony, Mornington Crescent  by Spencer Gore (1878-1914)

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The Circus by Charles Ginner (1878-1952)

Ginner was born in Cannes of a British father who established the Pharmacie Ginner. His brother was a doctor on the Riviera . Ginner himself studied art at the Ecole des Beaux-Arts and was influenced by the French art of the day. The circus was a favourite subject, and this picture can be compared by one of Seurat, which is in the Kroller Muller Museum in Holland

Ginner moved to London and became an influential member of the Camden group

The quality of exhibitions at the Lightbox continues to improve, and well worth a visit if you are in striking distance. The other exhibition one floor below, on the History of the Comic, extremely informative and comprehensive for those interested in graphic art