Watercolour Painting

Istanbul, Bosphorus Preparatory Drawing

/ davidrpharmer / 2 Comments

As today is the first day of the first month, I would like to wish anyone and everyone reading this post, a very happy new year. Perhaps I should wish you a fortunate new year, as inevitably this year will bring the usual mix of joy and sadness that we all share

Meanwhile back to the drawing board, quite literally….

I have made a start on the drawing using the photographs that I featured on the last post. It is not complete yet but is sufficiently in place, so that we can talk about it. This will be a tonal sketch, rather as I did for the Langstone painting, which means that the shadows will have been worked out well in advance of the painting stage.

On this occasion, I have used Derwent sketching pencils which are soluble. I have cross-hatched the dark side of buildings, and then washed over with clean water to give a shaded effect. These are much more convenient to use than ink. I had forgotten that I had them, so that was a nice find.

I will get the image up before we go any further.Galata Tower, Istanbul

The important building in the picture is the Galata Tower, which was a watch tower and which gives a panorama across the city. It was built by the Genoese in 1348, and replaced an earlier tower destroyed by crusaders in 1203. The Genoese were a merchant community in Constantinople at the time, and I guess this was their way of expressing gratitude for the hospitality shown them

I will only be able to use two of the three photographs, as I want to keep the finished painting within 40 centimetres. This is a pity, as I had hoped to include the splendid red Turkish flag shown between two buildings on the third photo. Not to worry, I still have dashes of red in the foreground with the life belts and the small flags on the boats. Maybe I can do a postcard study of the buildings holding this large flag, at a later date

In case you don’t know, and my apologies if you do, using some red in the foreground is a useful device for artists. It is an aid to perspective, as red comes towards you, just as blue recedes. Distant scenery turns blue, as you have probably noticed.

Let me repeat, that this drawing is not yet complete. I will post the completed drawing when I have finished it

I also have photographic references of the Blue Mosque, which should make a lovely study at some time. The last time we were in Istanbul, which was 2001, so a while ago, we went to the Blue Mosque and Hagia Sofia, which I believe is a museum now. We also went to the ancient cisterns of Constantinople, that masterpiece of Roman engineering, where the city’s water supply was stored. I try not to use the word “awesome” too lightly but that really was.

This time we went to the Topkapi Palace and of course cruised along the Bosphorus. Istanbul is still one of those places I would like to return to.

If you are following this demo, then thank you. I will complete the finished painting in stages and post as I go

Istanbul along the Bosphorus Waterfront

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We were here in October, and cruised in a small boat gently along the Bosphorus Strait for about an hour. There were any number of picture opportunities and ideas which I have brought back.

I have picked for now, three shots of the waterfront with its variety of buildings. These are consecutive frames which I hope to piece together to make an interesting composition, and finally a painting

Istanbul Bosphorus 1

 

 

 

 

 

 

Istanbul Bosphorus 2

Istanbul Bosphorus 3

Just not clever enough to get them in a line but the idea is there. I need to get a painting measuring about 45×30 centimetres out of these three frames, so will be fun sorting out the drawing in the New Year

Langstone Harbour: The Finished Painting

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When I finished the last post, I was about to put in the background trees and then the shadows on the buildings themselves

The trees I painted with a fan brush with crinkly bristles. Wide brushes like these are useful, as they can be used to pick up two colours at once, in this case French Ultramarine and Light Red. I used Sepia as well, where I needed to create definition, along the side of white buildings for example.

Imagining a low, bright light coming from the right-hand side, I used a blue – grey wash to put in shadow on every left-hand surface of each building including shadows that would have been cast on the ground. On the mill tower, which is round obviously, and which in real life is black, I again wanted to create the effect of bright light striking the round surface.  To get this effect. I painted blue-black down the left side whilst down the right half I brushed clean water. Then I let them meet. They did the job for me, and obligingly dried as I wanted. Along the left-hand perimeter, I brushed a thin line of neat Indigo, which gave the look of deep shadow on the far left.

Probably best to look at the image at this stage.

Langstone Harbour & Mill

Sadly, the camera leeches out some of the colour no matter how many different lights I use for the photography. The colours are subtle, anyway, so notices on the jpeg, whereas the painting itself works perfectly.

As I said, when I started out, I was going to attempt the style of Rowland Hilder, the famous watercolourist. I have used his colours, but I think my own style has crept through. Nevertheless, I am still happy enough with the finished painting

So let’s talk through the detailing

On the left-hand building, I have defined the window recesses with Indigo, as well as the guttering and down-pipe, and the roof line with Sepia

On the centre building, again I defined the roof-line and painted a rickety fence in front of the sluice gate. I may have mentioned earlier, that this was a tide mill as well as a windmill, so seawater flowing through this tunnel would have powered grinding machinery somewhere. I can’t tell you more than that, I’m afraid, as these buildings were derelict when I was a boy in the 1950’s, and had been for many years, so nobody knew their history. Thankfully, they were restored for residential use.

The right-hand building took more work, as the space underneath where the house is standing on brick stilts, is very dark, and took various coats, even using some black eventually. Window recesses were defined as was the balcony.

It just left the masking fluid to be removed, and to paint in the posts and flag, which was a splendid opportunity to use Cadmium Red, nice and bright to guide the eye into the picture. The gulls were tinged with grey under the wings and black at the tips. We were done!

I hope that you enjoyed this long journey. Thank you once again,  for reading my blog