Istanbul: Ferry Crossing the Bosphorus, Finished Painting

ferries Crossing the Bosphorus

This time I used the camera on my phone. I think I prefer the result. The colours seem more faithfully represented, or so I think

I have stopped working on this painting as I just don’t feel I can add any more. The ferry boat in the centre I have painted as sharply as I can, but as always when the paint has dried then some of the intensity goes with it. Sometimes that can be a good thing but on this occasion I would have liked the boat to be coming towards the viewer just a little more. I even finished off the waterline with dark pastel which has helped

Possibly I put too much definition into the background, but then I needed deep shadow to accentuate bright daylight. As always a slight dilemma. Maybe next time I will paint the foreground first and work backwards.

However I have another painting towards the next exhibition in April, and will soon have to think about my annual update of my own website davidharmerwatercolour.co.uk. Looking back over the year, a number of sales, certainly a quantity of amendments together with a collection of new work which always attracts attention.

Last year was very good for commissions, six in total, which for some artists I know would be unimpressive, but for me exceptional. We’ll see what 2019 brings!

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I need another painting of Istanbul

This one I quite like,as a reference, not my own but similar to the ones that I took of boats crossing the Bosphorus. I won’t be copying it as such but using the content for inspiration.

I think I will attempt to change the lighting. I have several Bosphorus shots of my own to refer back to, so will experiment a little and see what I end up with. The construction will remain much the same, as the composition would be difficult to improve on

It has all the ingredients, the mosque, the ferries and the water. No mistaking where it is. This is rather a dark shot, evening time and dramatic, quite a clever photograph, and all credits go to the photographer, if only I knew who it was

For the moment, I am just doing some free-hand sketches, and may just include those at the end of this blog. Those minarets are proving something of a problem to pin down. One minute they are leaning too far to the left, and when I correct that, too far to the right. The mosque building itself is a delightful exercise in geometry though, which may be forgiving because of the distance. I had the same problem when I painted the Blue Mosque which is in the archive somewhere

Both Istanbul paintings sold from my Artfinder site which was gratifying especially as I don’t have much success on that site, hence I need another Istanbul painting for my next exhibition which is in April, which will come round fast enough

The Fountain of Love commission was very well received, I am happy to report

Free hand preparatory sketches

Blue Mosque: the finished painting

Blue Mosque

Alas once again a good painting spoiled slightly by a bad photograph. The camera has diffused the depth of colour in the trees etc in the foreground. This is the best photograph of all those that I took, so will have to put up with it. Shame because the colours of foliage etc are much richer than shown. The mosque is not too bad though, even though the shadows on the building are really much deeper.

Palm trees are tricky. They were done with a dry brush, just hoping that the bristles open out to give that feathery effect. They seem to have done.

For the trunks of the palm trees, I mixed permanent rose with burnt sienna to give, hopefully, the effect of bright sun highlighting the wood. That was the base coat. I used a very dark brown as a shadow over the top as a glaze, just leaving a little of the red showing on the sunny side. Likewise the park benches which were brightly lit in some cases, I used the same mix of rose and burnt sienna. I felt that that had worked

The other trees, some of which were obviously tidily clipped, I had to sort out, otherwise in a painting they would have been indistinguishable. I painted some lighter than they appeared against darker trees in the background so that one defined the other

Small figures, some of them in red, led the eye through the trees, and I hope have given a feeling of distance

The enjoyable part of the exercise was the mosque itself. A lovely drawing exercise hopefully getting the domes and minarets right, and then the subtle shading, which I built up over a period, hoping to get the depth of shade correct. Hard for you to judge, I know, as the camera has bleached everything. So frustrating!

I had to do quite a lot of masking out in order to catch the bright spots where the light fell. So there we have it, the finished result

What to do next. I have some pictures taken on our local canal, which I would like to try. Also going to Spain in the not too distant future, so could be plenty of inspiration there too.

Thanks for reading, if you have done. Hope you enjoyed the result