
There is a very good exhibition on at the Lightbox in Woking at the moment, entitled David Hockney:His Ways of Working. I hope that I’ve remembered that correctly as I didn’t make a note, although I did manage one or two pictures, shot from the hip, in case I was seen by a wily attendant.
As we know, Hockney throughout his career was fascinated with different media. A superb painter in the traditional sense, not that I liked all of his work, he also embraced new methods of recording art such as ipad drawing, print, fax machine, photography and collage
The exhibition at Woking is not large but it is representative, and as always skillfully displayed. I know the Lightbox is my local art gallery, and it is easy to become partisan, but the Lightbox has come on in leaps and bounds since it was founded both in quality and quantity of local exhibitions
The print shown above for example, is where Hockney utilised his own digital photography and Photoshop, drawing with a stylus on an iPad in front of a computer monitor. As Hockney himself explains “you are drawing directly onto a printing machine. One draws with the colours that a printing machine has, and the printing machine is one that anyone can have.”

This is the other painting that intrigued me. Very large for a start and changing the perspective so that the lines of trees met like a triangle. The seated figures are Peter Schlesinger, his lover at the time and Ossie Clark the fashion designer. I think they were having a boy’s weekend in Paris. The empty chair is for him, Hockney. He was standing whilst sketching.
Alongside the painting is Hockney’s drawing showing that he used the grid system for enlarging an image, which is how he produced such a large painting as the one I have shown. Many well-known artists use this system. I do too, but I am not well-known
I am currently using this system to enlarge a small photograph, to twice its size as a drawing, in preparation hopefully for something worth painting. The subject is the Ponte Vecchio in Florence. I was there a few years ago and took some reference shots, but haven’t got round to doing a painting yet.
That will probably be the subject of my next blog
- Alhambra
- Amsterdam
- Ancient English Ports
- Ancient Greek Temples
- Andalucia
- Animals
- Arles
- Art Exhibitions
- Art Nouveau
- Artfinder
- Arts and Crafts
- Aubrey Beardsley
- ball Point Pen
- Barcelona
- Barges
- Baroque
- Basilica of Sacre-Coeur de Paris
- Bath
- Beach
- Bicycles
- Boat Paintings
- Book Illustration
- Bosham
- Bosham Harbour
- Bosphorus
- Brittany
- Buildings/Architecture
- c13 woollen industry in Britain
- Camargue
- Camden Art Group
- Canal Bridges
- Canals
- Castles
- Cathedrals
- cats
- Cefalu
- Chichester
- Chinoiserie
- Christmas Street Scene
- CLASSICAL aRCHITECTURE
- Competitions
- Conkers
- Corfu
- Cornwall
- Correcting mistakes in watercolour
- Country Churches
- Country House Hotels
- Country Houses
- Danube
- David Hockney
- Devon
- Dewdrop on Leaf Detail
- dog portraits
- Donkeys
- Dorich House Museum
- Dragons
- Eagle Comic
- Education
- Egypt
- Egypt Equine Aid
- Eifel Mountains
- Elizabethan Country Houses
- English Country Gardens
- Equipment and work space
- Ferry Boats
- Figures in Streetscape
- Fishing Boats
- Flamingos
- Florence
- Fountains
- Fountains Abbey
- France
- French Impressionists
- Frog
- Frogs
- Gardens/Floral
- Georgian Architecture
- Germany
- Gondolas
- Granada
- Guildford in Surrey, UK
- Harry Potter
- Henry Moore
- Holland
- Horses
- House Portrait
- Hungarian Cattle Country
- India
- Islamic Art and Architecture
- Istanbul
- Italian Chapel
- Italy
- Jane Austen
- Kew gardens
- Kew Gardens
- Knights Templar
- Langstone Mill
- Leatherhead Theatre
- Life in the 1950s
- Light and Dark
- Lightbox, Woking
- Lock Gates
- London
- London Docklands
- Marinas
- Maritime History
- Marsala
- Mary Wollstonecraft
- Marzamemi
- Medieval Undercroft
- Mediterranean
- Mice
- Mosques
- National Trust
- North Sea
- Notre Dame de Paris
- Opera
- Orkney
- Ostrich
- Oxford
- Pagoda
- Painshill Park, Cobham
- Painting Snow
- Pallant House Art Gallery, Chichester
- Paris
- Paul Nash
- Payne's Grey
- Pelican
- Period House
- Photography
- Plas Newydd, Anglesey
- Ponte Vecchio
- Portsmouth Harbour
- Post Impressionists
- Pre Raphaelites
- Preliminary Sketch
- Properties of Watercolour Paints
- Ragusa
- Railway Stations
- Reviews
- Rex Whistler
- Rome
- Royal Surrey Hospital
- Sagrada Familia
- Sailing Boats
- Saxon England
- Schools
- Scotland
- Sculpture
- Seascapes
- Sicily
- Sickert
- Sidney Sime Gallery
- Simon Gudgeon
- South Africa
- Southampton Art Gallery
- Spain
- St Katherine's Dock
- St Thomas a Becket
- Still Life
- Sunset
- Surrealism
- Surrey Villages
- Swans
- Syracuse
- Tate Art Gallery
- Terra Cotta
- Textbooks
- Textured Finishes
- Thames
- Tower Bridge
- Townscapes
- Transylvania
- Tudor Houses
- Turner
- Uncategorized
- Van Gogh
- Venice
- Vignette Style
- War Artists
- War Graves
- Water Birds
- Watercolour Painting
- Waterscapes
- Watts Gallery
- Wet-in-wet
- Wey Navigation
- William Blake
- William Payne
- Windmills
- Winter Street Scene
- Wisley Gardens
- Working to Commission
- World War 1
- World War 2
- World War 2 Architecture
- Yorkshire
Looks to be a very interesting exhibition, David – Hockney is such an interesting and engaging artist. He is unsual, in that that ordinary people love his works too. I think the only other artist who is as well-known and liked is Banksy. I prefer Hockney.
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Yes, Emma, I always think with Hockney there is something for everybody, he is so versatile
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“Something for everyone” is a lovely way of putting it.
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