
I was duty bound to publish the finished painting having started, but this is not one that I take pleasure in. This is me on an off day
I am at odds with the composition to start with. The grass bank which is there in the photograph, I do wish now I had left out. I was worried about introducing another colour, and the green has not worked well at all. Some parts are not too bad. The deep red of the building on the right with the evening shadow, I quite like, but the rest is disappointing. Everything is laboured where I have tried to rectify mistakes instead of starting again
I think in time I might try this picture again in another colourway, still with long shadows but omitting the grass bank, so that I can keep to a two colour palette which should prove more palatable, no pun intended. Not sure what I will put in the place of the grass yet. Perhaps bring the building down to the water with a quayside which offers more interest. I will have to see
For now, playing around with a cat picture, which is unusual for me. I think I will only publish this one if I like it
Read a very interesting article in one of the art magazines, about knowing when to stop, or in other words , less is more. Also this artist did the drawing in ink which I haven’t done in a long while, and which I would like to try again. That could be refreshing. I am starting to repeat myself which is bad

On the subject of Florence, this is one that I did a few years ago and gave to a friend. This is more me, and another project is to do a second version for my gallery. I needed to look at this again to restore my faith
- Alhambra
- Amsterdam
- Ancient English Ports
- Ancient Greek Temples
- Andalucia
- Animals
- Arles
- Art Exhibitions
- Art Nouveau
- Artfinder
- Arts and Crafts
- Aubrey Beardsley
- ball Point Pen
- Barcelona
- Barges
- Baroque
- Basilica of Sacre-Coeur de Paris
- Bath
- Beach
- Bicycles
- Boat Paintings
- Book Illustration
- Bosham
- Bosham Harbour
- Bosphorus
- Brittany
- Buildings/Architecture
- c13 woollen industry in Britain
- Camargue
- Camden Art Group
- Canal Bridges
- Canals
- Castles
- Cathedrals
- cats
- Cefalu
- Chichester
- Chinoiserie
- Christmas Street Scene
- CLASSICAL aRCHITECTURE
- Competitions
- Conkers
- Corfu
- Cornwall
- Correcting mistakes in watercolour
- Country Churches
- Country House Hotels
- Country Houses
- Danube
- David Hockney
- Devon
- Dewdrop on Leaf Detail
- dog portraits
- Donkeys
- Dorich House Museum
- Dragons
- Eagle Comic
- Education
- Egypt
- Egypt Equine Aid
- Eifel Mountains
- Elizabethan Country Houses
- English Country Gardens
- Equipment and work space
- Ferry Boats
- Figures in Streetscape
- Fishing Boats
- Flamingos
- Florence
- Fountains
- Fountains Abbey
- France
- French Impressionists
- Frog
- Frogs
- Gardens/Floral
- Georgian Architecture
- Germany
- Gondolas
- Granada
- Guildford in Surrey, UK
- Harry Potter
- Henry Moore
- Holland
- Horses
- House Portrait
- Hungarian Cattle Country
- India
- Islamic Art and Architecture
- Istanbul
- Italian Chapel
- Italy
- Jane Austen
- Kew gardens
- Kew Gardens
- Knights Templar
- Langstone Mill
- Leatherhead Theatre
- Life in the 1950s
- Light and Dark
- Lightbox, Woking
- Lock Gates
- London
- London Docklands
- Marinas
- Maritime History
- Marsala
- Mary Wollstonecraft
- Marzamemi
- Medieval Undercroft
- Mediterranean
- Mice
- Mosques
- National Trust
- North Sea
- Notre Dame de Paris
- Opera
- Orkney
- Ostrich
- Oxford
- Pagoda
- Painshill Park, Cobham
- Painting Snow
- Pallant House Art Gallery, Chichester
- Paris
- Paul Nash
- Payne's Grey
- Pelican
- Period House
- Photography
- Plas Newydd, Anglesey
- Ponte Vecchio
- Portsmouth Harbour
- Post Impressionists
- Pre Raphaelites
- Preliminary Sketch
- Properties of Watercolour Paints
- Ragusa
- Railway Stations
- Reviews
- Rex Whistler
- Rome
- Royal Surrey Hospital
- Sagrada Familia
- Sailing Boats
- Saxon England
- Schools
- Scotland
- Sculpture
- Seascapes
- Sicily
- Sickert
- Sidney Sime Gallery
- Simon Gudgeon
- South Africa
- Southampton Art Gallery
- Spain
- St Katherine's Dock
- St Thomas a Becket
- Still Life
- Sunset
- Surrealism
- Surrey Villages
- Swans
- Syracuse
- Tate Art Gallery
- Terra Cotta
- Textbooks
- Textured Finishes
- Thames
- Tower Bridge
- Townscapes
- Transylvania
- Tudor Houses
- Turner
- Uncategorized
- Van Gogh
- Venice
- Vignette Style
- War Artists
- War Graves
- Water Birds
- Watercolour Painting
- Waterscapes
- Watts Gallery
- Wet-in-wet
- Wey Navigation
- William Blake
- William Payne
- Windmills
- Winter Street Scene
- Wisley Gardens
- Working to Commission
- World War 1
- World War 2
- World War 2 Architecture
- Yorkshire
The street in Florence is a joy to behold. The Ponte Veccio – yes, the green is fighting with the rest of the painting and drawing the eye away from the bridge and the sunset. Is it possible to put a wash (bluish mauve maybe) on it to flatten out that color? Sorry, I don’t know what is possible with watercolours? Ignore me if that’s a daft suggestion.
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Thank you Emma, no not a daft suggestion at all. A glaze of that colour would help, but for now I have put this painting away, perhaps to come out at a later date. I am generally dissatisfied with the composition and will do this painting again in a different colourway totally and see what happens
Thanks for taking the trouble to write
I came across a piece on your website about selling your 600th painting, and sent congratulations, only to see afterwards that the piece was a year old. Sorry about that. Congratulations still stand of course. Amazing achievement.
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I appreciate you good wishes at any time, David!
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