Venice Painting: the Final prepared Drawing

Another Venice Painting Masked out drawing

The masked out drawing

This follows on from the last post that I wrote, hoping to include one more Venice painting in my exhibition starting 3rd May. It was a while ago that I started this, and progress has been slow I am afraid.

It is that stage which I  find the most tedious, after making an initial sketch working out the composition, as well as the tonal values, which is interesting, you then have to transfer the whole thing onto watercolour paper. A very important task, obviously, but a mechanical one which is time-consuming

However, it is done and we are pretty well ready to lay on the first wash. I am sorry by the way, for the alarming camera distortion. Those walls do not lean in to that degree, or anything like on the original drawing. I shall have to do better than that when I photograph the finished painting!

As you can see, I have masked out some items, namely the washing on the line, the street lamp and one or two flecks on the water. Not just that but I have also painted in the tarpaulins on the boats with waterproof ink colour Cyan, as well as one of the garments on the line. I can now just sweep down with the initial wash without hindrance

One of the reasons that I didn’t start painting today, was because I wanted the masking and the ink to be rock hard before I did so. The shadows have been worked out already with the sketch, so tomorrow hopefully I will at least be able to lay on the first wash, and then we shall be underway.

An interesting bit of news that has come up. I was approached at the end of last week by a national charity which is interested in getting me to design a Christmas card for their fundraising effort. They have seen some of my street scenes on the web site, which is the sort of thing they want with obvious modification. I have a meeting with them next Monday, and if that goes ahead, could be an interesting project. I have my fingers crossed on that one!

Just one more painting of Venice

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I remember saying that as my exhibition quota was pretty well filled, I might relax a bit, and do something experimental, perhaps tackle some portrait work which I have neglected for a long time. I also said that I would probably weaken, and convince myself that I needed another Venice picture for the exhibition.

Well, in fact both are true in a funny sort of way. I could use another Venice picture which are always popular, and yet making something out of the photograph above will be a different sort of a challenge. This was one of many pictures that I took when last there. It was Easter time, and rained a lot. This photograph is especially gloomy, and not what I want to capture in paint.

The subject matter and general composition is fine though. This is a typical quiet backwater of Venice, taken on a Sunday morning, which like so many offers a tranquil retreat away from the crowds. It is rather dreary though, and needs light and deep shade to make the subject matter more interesting.

The problem is always how to work out where the shadows fall. I ended up making a simple cardboard model, which I have not photographed, and then placed it under the spotlight, the position of which I moved continuously.

After I was satisfied with what I had, I then did a very quick sketch in ink and washed in the shadows. The sketch is rough, done without taking measurements, but I think will serve as somewhere to start. Anyway, I will reproduce it now

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As I say, the sketch is rough, but shows me shadows of roof tops projected onto the buildings on the right hand side. Mediterranean blue in the sky and water and bright colours on the lit buildings should, I hope, prove convincing. perhaps too the odd shaft of light catching the boats. It is something to build on

We shall see