Continuing my theme of Waterways in Watercolour which is my next solo exhibition in February, and for which I am worryingly behind schedule, I am going to look again at the Basingstoke Canal which runs near where I live
This is a typical Sunday morning walk to exercise the dog and buy a newspaper in the village shop. The tow path is often quite busy with walkers and annoyingly sometimes, bicycles who use their weight to make people jump out of the way. Most are courteous but just a few are inconsiderate
The bridge in the picture is one of the original ones from the c18, brick built with bricks which would have been made in St.Johns nearby, most likely. It is a typical canal bridge, with shaped walls that curve out on to the tow path. This enabled the bargee to bring the horse over from one side to the other without snagging the rope
I have painted this stretch of the canal many times, and it remains a favourite at exhibitions. My personal favourite which is in the gallery, is of one of the lock gates and which is into the light, contre-jour I think it is called. That sold at one of my exhibitions to a couple who were going back to New Zealand, and I helped them with the packing. I sometimes think of these paintings and where they are, rather like worrying about the children. How stupid can you get!
There is a flight of seven locks along this stretch of the canal, all fairly close to one another. An enormous amount of work for the barge people, getting out and opening the gates, and then closing gates behind the barge when in the lock. Fun to watch though
So far, I have just started to make some sketches, and there are some details I want to change, so nothing to show at the moment
For the future, I came across a lovely photograph which I took along the Amazon, a couple of years ago, of local boys with their pet alligators, small ones obviously, which they had on leads like dogs. This would make a lovely painting if I could bring it off, but might upset some people, so would have to give that one some thought
2 thoughts on “Basingstoke Canal Bridge”
Liked the part about worrying about the sold paintings and where they are. This is not stupid; this is very natural. I feel that way for my old and lost school books. Our works are parts of us because we spend a lot of time together. Children are parts of our body but our creativity is part of our soul.
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so beautifully put and you are so right. I have known about artists who buy their work back. I have never done that although I can understand it. Thank you Farzana, that was so helpful
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