Painting of Pirbright Church

I come back to a subject I never tire of painting. The historic church in the parish of Pirbright in Surrey

Dedicated to St Michael and all Angels, the church has saxon foundations and was a site of worship before then. The current church building dates from the c18. The churchyard is notable for its wildlife and also contains the grave of Sir Henry Morton Stanley, the explorer, he who found Livingstone, and said the immortal words “Doctor Livingstone I presume”. He is also well known for the discovery of the sources of the Nile and the Congo rivers The headstone is a huge piece of granite with his African name, Bula Matari 1841-1904 The funeral service was in Westminster Abbey but the interment was here at Pirbright, near his country home at Furze Hill.

This is my photograph of Stanley’s grave with its monolithic headstone

I have painted this church on a couple of occasions over the years. One painting I did in the snow which was well received. I was especially thrilled at the end of last year, for that particular painting to be printed as a greeting card by the church and sent to everyone in the parish, setting out the times of services over the Christmas period. I will see if I still have an image

This was the painting done in the snow. I’m not sure that I don’t prefer it to the one that I have just done. Looser somehow. Also there is something about snow with sunshine that softens the light beautifully. The trees on the left have been removed since I did this painting

Although I don’t actually live in Pirbright, I do get involved through the Pirbright Art Club which i have belonged to for many years. Pirbright like so many villages, has an annual fair and the art club would take a stall. The theme for some years was scarecrows, and ingenious examples were made, very often characters from literature. Do you remember the wedding of the Prince and Princess of Wales? After the service the Dean of Westminster cartwheeled down the centre aisle, presumably overjoyed. An amazing scarecrow was made and was on display in the church. I painted it. I’ll see if I can find it

I was proud of this painting. I exhibited it locally expecting it to be snapped up. It wasn’t! In the end, I sold it online to a buyer in the north east of England. How strange was that. Afterwards the buyer wrote to me and told me he looks at it every morning and it cheers him up for the day, so it was worth doing just for that.

Turner in Surrey: the River Wey

Turner, Joseph Mallord William; Newark Abbey on the Wey; Tate; http://www.artuk.org/artworks/newark-abbey-on-the-wey-202538

Described as Newark Abbey which is in fact Newark Priory, and even Newark Priory Church. The priory was a huge complex, and the ruined church is all that is left after the Dissolution . It looks to me that Turner sketched this from the road. The view is much the same today. The land is privately owned so close inspection is not possible. Cows are in the field much the same as Turner’s sketch. Newark Abbey is near Ripley as a point of reference. This painting is in Tate Britain

After the dissolution it was said that the priory was bombarded by cannon from nearby Pyrford Hill. After that the site must have been robbed for stone, as the ruined church is all that remains, apart from the odd outcrop

Turner would row down the river. We know that he stayed at the White Lion in Guildford, and at another in inn in Walton-on-Thames. He also thought nothing of sleeping on his boat. He was also a prodigious walker, known to cover 25 miles in a day including making sketches on the way. Sometimes he would set out with company and leave them behind if they couldn’t keep up

This is the entrance to Quarry Street in Guildford today. It is not by Turner! This is my painting made about twenty years ago. There is a link with Turner albeit a tenuous one. In order to take the reference photograph for this painting, I had to step back into the White Lion Walk in order to keep the bright sunshine out of my lens. The White Lion Walk is the shopping arcade which now stands on the site of the old White Lion Hotel. Let’s look at the next picture.

This is by Turner! It is one of his sketch books and shows the same view which I made years later, which still amuses me. I am sorry the image is so pale, but he worked in pencil. You can see the building on the left is much the same and the ancient church of St Mary stands in the background exactly as it does today On the right hand side is an inn much as today. Turner sketched this whilst staying at the White Lion in Guildford. Was he in the lounge relaxing or in his room. We know he didn’t like an audience so maybe the latter

We’ll leave it there for now and continue Turner’s drift down the Wey at some later date

Turner in Surrey Part 2

Thameside Ferry Crossing

This is a photograph I took myself trying to catch the little ferry crossing from Twickenham over to Ham on the other side. I just missed the ferry but my reason for keeping this picture, is that this must be one of the nearest points on the river from Turner’s house in Twickenham. I dealt with his house a few blogs ago so I won’t repeat that. Turner loved boats, he loved fishing, he loved the river, and he loved picnics with his friends. Was this the sort of spot he came to? We don’t know for sure about him fishing here, but he would have known this location.

I took this picture from the riverside of the grounds of Orleans House Gallery, where we go from time to time. The gallery is what remains of the original Palladian mansion built in the c18. Louis Philippe duc d’Orleans lived here in exile from 1813-1819. Turner met him and they became lifetime friends. Later in 1830 he became king of France, until he was toppled by another revolution, and went into exile in England once more. He died at Claremont in 1850. Turner went to see him in France near the end of his own life in 1845, one of his last visits to Europe, and they talked into the night about ‘Dear Old Twick’

In the background on the hill is the Star and Garter, what used to be a retirement home for disabled service men, and more recently converted into apartments. Nonetheless a powerful landmark, and showing us where Richmond Hill starts. Turner painted the view from there, and I would like to look at one particular painting dated 1819, painted in honour of the Prince Regents birthday

I think that this was an unashamed bid for royal patronage, which was unsuccessful as I believe but nevertheless an interesting painting, which of course looked down on an area which he grew to love. Actually as King George 1V he was able to bestow a seascape on Turner in 1823, but to return to Richmond Hill

I will, if I may quote from Anthony Bailey’s biography, which talks about this painting in some depth. Travel and the proprietorship of Sandycombe Lodge, his country house in Twickenham, had occupied much of his time. His painting output had dropped, and he had no new commissions, so he needed new patronage, or may have felt so. In 1819 he had exhibited this great canvas, kingsize, measuring about six feet by eleven. This was England: Richmond Hill on the Prince Regent’s Birthday. It showed the winding Thames at Twickenham, and Sandycombe hidden in the trees, and on the further bank a game of cricket going on whilst in the foreground a group of partying people which could have been borrowed en masse from Watteau

There were mixed views. Some thought the painting to be unEnglish despite its title. There is a quotation from Bell’s Weekly Messenger (16 May 1819) where the writer admired the painting but qualified his praise.’ The distance, the foreground,the trees,and the figures are all Italian. On Richmond Hill, and on such a day, John Bull with his dame, with the rustic lads and lasses of the village, sporting under the sturdy oak, would have been more characteristic of England’ But this was to request a different nostalgia. Turner had not yet been to Italy and was perhaps looking forward to that country to paint

That is probably enough for writer and reader for now. I am getting some material together for his excursions down the River Wey taking him deeper into Surrey, so we can look at that another time

Memories of another age

It was suggested that I write about the early years of my life. I am 81. What do I remember, and how far back? I don’t remember the last world war. i was born in 1943 in London, and during an air raid, my mother told me. We called these raids the Blitz. We borrowed the German word, Blitzkrieg or lightening war. It was terrifying by all accounts and I arrived in the middle of it. Even today I jump at loud bangs.

So I don’t remember the war but I remember war damage. There was still plenty about as I started to form memories. We lived near Portsmouth about this time, so I remember the magnificent Guildhall gutted by incendiaries, and also the old Theatre Royal standing alone amidst the rubble, and as I recall still putting on plays. I can picture whole streets gone, what were once rows of shops, now identified solely by the names in mosaic in the doorway floor. I remember buddleia growing amongst the rubble, aptly named the bombsite plant.

I remember the late king George VI who died in 1952, and our late queen, then Princess Elizabeth being acclaimed queen on holiday in Kenya. I kept a scrap book of the king’s funeral, which didn’t seem strange at the time. Today it might be considered an odd thing for a child to do. I vividly recall a blood stained photograph of the monarch lying in state in Westminster Hall flanked by four soldiers. It had been used to wrap meat and I rescued it for my album. We didn’t have hygiene in those days and butchers and fish shops used old newspapers to wrap their wares. Fish and chip shops did the same. That is where we took our old newspapers. Eric Sadler was our local chippie. He stirred the boiling fat with an old piece of wood which looked as though he had found it on the seashore. Then he wrapped your fish and chips in someone’s old newspaper. No one was shocked by this. We had survived bombing, don’t forget.

About this time we were still living above our shop. I remember my brother being born in 1948, about the same time as King Charles, so a big gap between us because of my father being away in India and Burma from 1944 to 46. I remember bits about living there. I had measles and was ill for two weeks in a darkened room. Nobody was vaccinated against these diseases, dangerous as they were. They were called childhood diseases, measles, chicken pox, mumps etc and you had them and if you survived you were immune for life. I don’t remember having mumps. My father had it and was hospitalised, as this was a dangerous illness for men. My brother had whooping cough, very young, he was in his cot at the time. I can still see my father holding him upside down like a rabbit, while he struggled for breath. That was horrible to watch, but he survived, I am pleased to say

I started school at five years old. There was no pre-school or nursery school in those benighted times so we were later learning to read than children today. In fact I got off to a bad start, as I was enrolled in the local catholic school, which are very good today, but at the time was very poor. I was moved to the state primary school, and at six years old could not read or write. I caught up quickly enough, and was there until 1954, when I took the iniquitous 11-plus examination, and was one of the few that passed to go to a grammar school. Grammar schools, for those who don’t know the term, date back to the c16 when they were founded in the reign of Edward VI. Grammar meant Latin grammar, by the way, which in those days was the lingua franca throughout Europe. I was taught Latin incidentally, as it was essential to get in to some universities whatever subject you were studying. That changed in 1960

I say iniquitous, It was like separating the bright from the not-so-bright at a very early age. People like me were given an academic education learning Latin for example. The others went to so-called secondary modern schools, and their training included woodwork, domestic science etc as though they were destined for some form of artisan employment. This was to change with the advent of the comprehensive system, when it was recognised that children were all different, and developed at different speeds, and deserved the same training. Even this system needed modification until it was perfected to what we have today

I had intended only to write about my early years and what stuck in my memory. In 1951 when I was eight years of age, my father took us on the train to London to the Festival of Britain. That was a memorable day, and of course 100 years since the Great Exhibition in Hyde Park opened by Queen Victoria. i will try to keep to what i actually remember. I remember the Dome of Discovery which celebrated British achievement in science and technology. I don’t remember details. It would lack the sophistication of today naturally. We had shortly come out of a world war, and had not yet recovered. The festival was about optimism and hope for the future. Crown pieces were minted. I think I have one somewhere. I remember the Skylon, although what it did, goodness knows. I remember the Royal Festival Theatre which is still there today.

Between 1951 and 54 were my early school years before moving on to secondary education. I cannot think of anything worth talking about. I do remember kids with leg irons, due to deficiency in diet. terrible when you think about it. We had free milk daily which must have helped. That was stopped by Margaret Thatcher when Education Secretary in 19 seventy something. Thatcher Thatcher milk snatcher was the cry. Even today children’s diet is wrong only for different reasons. Girls did handstands against the wall, with gym slips tucked into their knickers. Boys didn’t do handstands, which was wise. Girls did a lot of skipping chanting doggerel to the beat. i don’t remember the doggerel. There was quite a lot of fighting in the playground, otherwise football. We were organised into work parties for gardening during lesson time. We dug out quite large tree roots. Imagine that today. parents would be apoplectic. Dancing round the maypole was something else that was done as a showpiece for visitors and quite accomplished as I remember.

Well th ose are a few snatches as they come to mind and take me up to 1954