Bosham Panorama for the Long Frame

Bosham Panorama Starting to emerge

Emerging from the sea mist almost

This is the start of the panoramic painting for the long frame which I mentioned recently, which I am hopeful for, but we shall see

For sky and sea I used a mix of phthalo blue and cobalt. For the sunset sky and reflection in the water, I have used a mix of Cadmium Orange and Permanent Rose. I was not pleased with the initial result, as the sky came up very orange indeed. I applied coat after coat of Permanent Rose, wet on dry, which when dry, appeared to have made very little impact. Eventually the sunset turned pinky red, and I quite liked the effect of the pink over the blue. Where the blue had gone on sparsely, the pink soaked in, and started to look like pink clouds on the blue sky. I am not sure whether this shows in the photograph.

In order to get the effect of the low sun on the rooftops, I will need to glaze the buildings with something like Light Red and if that goes too brown, then a thin wash of Cadmium Red. Sparingly, of course, as that is powerful stuff.

There is masking fluid to come off, where white buildings have caught the strong light. I should have mirrored that in the sea, but forgot, but I think I can rescue that with White Gouache.

Dark shadows to go in with dark Brown which will accentuate the light, I hope. Also some small boats for which I will use the same blue mix, and white masts, should add to the effect

I am hoping so, as exhibition time draws near

Shere Village and Church Painting which is not going too well


Usually I like to say that the painting is proceeding nicely. In this case it just isn’t. It is one of those paintings that is popular at exhibitions, or should be. A local scene which people recognise and identify with. The sort of scene I have painted so many times, and yet seem to have made mistake after mistake. Oh well, suitably chastened, perhaps I will be more careful as I continue

Just above the church spire, and out of the camera frame, the sky went awry, and left a large blue patch right in the centre, just where I didn’t want it. This type of cloudy blue sky has to be done wet-in-wet, as we know, and apart from lots of frenetic board tilting, there is only so much control you can exert over the finished item.

The roof over the lychgate came up much too bright, so I have scrubbed that back, and will add less colour next time

Likewise the figures in the foreground were disappointing, and these I have scrubbed back with a lifting out brush. When they are really bone dry, I will attempt them again. I don’t know why but I seemed to lose all sense of colour control. I applied paint too thickly and the shadow areas which I had already put in, just did not show through

The brick colour of the cottage on the left-hand side which usually works well, is almost acidic with the green foliage, or am I being paranoid. Perhaps I have been looking at it for too long

On both sides I have painted more of each building. The camera frame would only take the image shown, which looking at, I prefer. There is certainly a case for cropping top and bottom, and maybe quite a bit from each side, and making a smaller picture of it

I will see what I can salvage. I have some ideas now. Being humbled occasionally, never hurt anyone

Have you ever had a bad picture day? Always pleased to hear about it if you have