This is the drawing so far and even this took some working out. There was an awful lot of masking out to do. The tower itself has had to be protected as the night sky will be darker than the colour chosen for the tower itself.
Likewise the gables on the rooves over the shops on the right hand side have had to be protected. I don’t usually like a lot of sharp edges in a painting, preferring to let colours blend, but in this case it has been unavoidable. Plastic or metal edges really have to be shrp otherwise just look wrong imho.
I am apprehensive about starting the painting on this one, especially the sky. If that doesn’t work, and I have to start again, then I will have wasted a lot of time. Let’s not go there. I have retrieved worse situations
This must be one of the trickiest commissions that I have ever accepted, and one which questions my wisdom. Firstly working out a colour for night black, and it won’t be black ,has not been easy. Black in large quantities I find tends to flatten the painting, unless it is a raven glossy black which works for many things but not sky imho. Then what colour to use for the illuminated tower itself, and there we have a certain choice of watercolours that have a luminous quality, but which one to use against which night sky that is the question.
This is the client’s photograph btw and is a very good one in terms of composition. So many aren’t and refreshingly I have little or nothing to change other than possibly including the moon, which i have agreed with the client. Perspective is intriguing which I like. All those lines going towards the vanishing point will be fun to work with
I have done various trials and have shared these with the client. For the night sky I looked first at a midnight blue colour, definitely steering away from black per se. To mix a midnight blue I am using indigo with a touch of Payne’s Grey, which is a blue black colour, and is useful. A lot of artists avoid Payne’s Grey but I find it useful at times. in fact that was the other contender for the night sky, as it is not quite black, as I say more of a blue black colour. So that was my submission for the sky. Now for the illuminated tower. The colour needs to be luminous which is not that easy with watercolour. I chose in the end pthalo blue and as an alternative, permanent rose both of which would work. I also glazed pthalo blue over rose just to see what would happen and again the result was workable
The client came back quite quickly. She preferred the indigo version of midnight blue and also the pthalo blue for the tower. I was relieved about that, as both were my preferred option, and in neither case did I lead her in anyway
So I know which direction I am going in, and will proceed with the painting. I will come back about that although probably not too soon
A view I know well, having sailed out of Portsmouth at one time or another over the years, either to the Isle of Wight or to Cherbourg or to Jersey
I knew the Harbour before the Spinnaker Tower was erected and before the great shopping centre of Gunwharf Quays was built underneath. On the immediate right hand side is Old Portsmouth, as the name suggests the historic part which is associated with great names and with great events. Admiral Lord Nelson sailed from here on numerous occasions, including the last fateful expedition when he engaged the French fleet under Admiral Villeneuve off Cape Trafalgar in 1805. Most people know what happened and both admirals were killed.
The masts of Nelson’s flagship Victory is visible in this picture on the left hand side in the distance. Victory is in dry dock in Portsmouth dockyard, and has been for many years, certainly since I was a schoolboy.
Samuel Pepys the diarist was here often in his role as First Sea Lord. The Duke of Buckingham, George Villiers, favourite of King James 1, was assassinated in 1628 in the local hotel. Catherine of Braganza from Portugal disembarked here to be betrothed to Charles II, and there are many more famous instances.
So far I have only just finished the drawing, which may be too faint to show up, but I will try later. The big problem will be showing the Spinnaker Tower to its best advantage. It has the sun on it, so needs to be bright white against the sky. I think it will have to be masked out, despite its size, which I am not looking forward to. All that before I start to paint
This is a busy time anyway, but I have had to finalise the book illustrations as these are being called for, so I have had to leave this painting for quite a while unfortunately. I have really enjoyed the illustrating work which has taken me to fresh fields, which is always satisfying. Sadly the one and only real exhibition that I would have done this year, due to have started on the 21st, was cancelled as our area moved into Tier 4. Great shame as this would have been at Denbies Winery, the large vineyard near Dorking, where I haven’t shown before. But I must not lose sight of the fact that this year has been amazing for me, as far as online sales are concerned. Eleven sales this year, of which three are international, perhaps unimpressive for many artists, is for me a record. Due to the Covid factor I know, with people locked down at home.
Sketch of Portsmouth Harbour
Not brilliant but perhaps will show where I am at.
offtoafineart 