
The painting is complete and as always, with any of my completed paintings, I am loving parts yet totally unsure of some of the details
The trees were in deep shadow in reality. I put them in deep shadow in the painting. Hmm. not sure. The church immediately went into the background. That wasn’t intended either
I really like the cranes which some might find strange. I think of them as part of the sculpture. I don’t think they clash at all with the basilica, magnificent as it is.
Possibly this composition will still work as a painting. I really am not sure
I am going to post it on line and will invite comment, in fact I would be grateful for comment. I did frame the work, and of course anything framed looks better, so nothing conclusive there
I will start on a new work later. Nothing to do with this one, but when I have done that I may well do a second version of Sacred Family and somehow leave out the foreground trees, and see if I am happier with that.
My next exhibition is in October so I have time. Shortly I am heading north to colder climes, Shetland Isles and the Faroes where recorded temperatures are about 11c. Yesterday at home we had 32c so an abrupt change. No painting for a week or so but maybe some sketchbook work, if I am lucky.
- Alhambra
- Amsterdam
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- Andalucia
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- Arles
- Art Exhibitions
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The church looks well done but the foreground trees are…ummm…out of place; it actually difficult to understand the scales of this drawing when we compare tree’s height with that of the church’s.
Please try it again later and magnify the church building so that it doesn’t require trees.
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