
Still in early stages, the painting appears to be coming out of the mist
The drawing is done and some colour has been applied. Cobalt blue sky and raw sienna as a base for nearly everything else. Some very pale and distant trees, and guidelines for shadows I have put in along the side to the left.
As far as the house is concerned I have put in shadows in blue which has managed to build up the general form of the building. The house at the back I have formed in brown and blue.
The car port, I have done more work on, with the final roof colour and the skylights. The furniture store in front of the car port makes the grouping ambiguous. I wish now I had insisted on just the car port but I didn’t so I am stuck with it. This will require some thought
Before strengthening the brick colour, I have put in the wisteria and the virginia creeper, as I shall have to paint round them
Very easy to lose heart in this stage of the painting, but the painting must be finished so I carry on. In fact since writing this I have put a coat of Burnt Sienna on the brickwork and already the house is starting to move towards me
That’s all I can say at the moment
- Alhambra
- Amsterdam
- Ancient English Ports
- Ancient Greek Temples
- Andalucia
- Animals
- Arles
- Art Exhibitions
- Art Nouveau
- Artfinder
- Arts and Crafts
- Aubrey Beardsley
- ball Point Pen
- Barcelona
- Barges
- Baroque
- Basilica of Sacre-Coeur de Paris
- Bath
- Beach
- Bicycles
- Boat Paintings
- Book Illustration
- Bosham
- Bosham Harbour
- Bosphorus
- Brittany
- Buildings/Architecture
- c13 woollen industry in Britain
- Camargue
- Camden Art Group
- Canal Bridges
- Canals
- Castles
- Cathedrals
- cats
- Cefalu
- Chichester
- Chinoiserie
- Christmas Street Scene
- CLASSICAL aRCHITECTURE
- Competitions
- Conkers
- Corfu
- Cornwall
- Correcting mistakes in watercolour
- Country Churches
- Country House Hotels
- Country Houses
- Danube
- David Hockney
- Devon
- Dewdrop on Leaf Detail
- dog portraits
- Donkeys
- Dorich House Museum
- Dragons
- Eagle Comic
- Education
- Egypt
- Egypt Equine Aid
- Eifel Mountains
- Elizabethan Country Houses
- English Country Gardens
- Equipment and work space
- Ferry Boats
- Figures in Streetscape
- Fishing Boats
- Flamingos
- Florence
- Fountains
- Fountains Abbey
- France
- French Impressionists
- Frog
- Frogs
- Gardens/Floral
- Georgian Architecture
- Germany
- Gondolas
- Granada
- Guildford in Surrey, UK
- Harry Potter
- Henry Moore
- Holland
- Horses
- House Portrait
- Hungarian Cattle Country
- India
- Islamic Art and Architecture
- Istanbul
- Italian Chapel
- Italy
- Jane Austen
- Kew gardens
- Kew Gardens
- Knights Templar
- Langstone Mill
- Leatherhead Theatre
- Life in the 1950s
- Light and Dark
- Lightbox, Woking
- Lock Gates
- London
- London Docklands
- Marinas
- Maritime History
- Marsala
- Mary Wollstonecraft
- Marzamemi
- Medieval Undercroft
- Mediterranean
- Mice
- Mosques
- National Trust
- North Sea
- Notre Dame de Paris
- Opera
- Orkney
- Ostrich
- Oxford
- Pagoda
- Painshill Park, Cobham
- Painting Snow
- Pallant House Art Gallery, Chichester
- Paris
- Paul Nash
- Payne's Grey
- Pelican
- Period House
- Photography
- Plas Newydd, Anglesey
- Ponte Vecchio
- Portsmouth Harbour
- Post Impressionists
- Pre Raphaelites
- Preliminary Sketch
- Properties of Watercolour Paints
- Ragusa
- Railway Stations
- Reviews
- Rex Whistler
- Rome
- Royal Surrey Hospital
- Sagrada Familia
- Sailing Boats
- Saxon England
- Schools
- Scotland
- Sculpture
- Seascapes
- Sicily
- Sickert
- Sidney Sime Gallery
- Simon Gudgeon
- South Africa
- Southampton Art Gallery
- Spain
- St Katherine's Dock
- St Thomas a Becket
- Still Life
- Sunset
- Surrealism
- Surrey Villages
- Swans
- Syracuse
- Tate Art Gallery
- Terra Cotta
- Textbooks
- Textured Finishes
- Thames
- Tower Bridge
- Townscapes
- Transylvania
- Tudor Houses
- Turner
- Uncategorized
- Van Gogh
- Venice
- Vignette Style
- War Artists
- War Graves
- Water Birds
- Watercolour Painting
- Waterscapes
- Watts Gallery
- Wet-in-wet
- Wey Navigation
- William Blake
- William Payne
- Windmills
- Winter Street Scene
- Wisley Gardens
- Working to Commission
- World War 1
- World War 2
- World War 2 Architecture
- Yorkshire
Well, I don’t know why you might lose heart, this is coming on nicely. Maybe that’s the nature of commissions, someone else has chosen the composition/subject matter and you have to work with that and it can be challenging, I know.
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Thank you Emma
yes that puts it well. I still get nervous with commissions, as I am doing the painting the way someone else wants it done, so no room for expression. I did have some input into the composition though so something of me might come through.
This is a nice subject and no excuse for it not looking good
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